2020
Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945
PALLADINO, AdrienZákladní údaje
Originální název
Transforming Medieval Art from Saint Petersburg to Paris : André Grabar’s Life and Scholarship between 1917 and 1945
Autoři
Vydání
Convivium : Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean : Seminarium Kondakovianum Series Nova, Brepols Publishers, 2020, 2336-3452
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
60401 Arts, Art history
Stát vydavatele
Belgie
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/20:00114545
Organizační jednotka
Filozofická fakulta
UT WoS
EID Scopus
Klíčová slova anglicky
Byzantine Studies; History of Art History; Russian emigration; France; Bulgaria; André Grabar
Štítky
Změněno: 30. 4. 2021 07:48, Mgr. Igor Hlaváč
Anotace
V originále
André Nikolajevič Grabar (1896–1990) – today esteemed as one of the twentieth century’s most important scholars of medieval art history – endured the upheaval of his life path by emigrating, from Russia to France by way of Bulgaria, before becoming the famous French art historian we recognize. The experience of emigration profoundly recast Grabar’s thought both on his homeland and on his studies of medieval and Byzantine art. This transformation happened during a timespan, between 1917 and 1945, when the field of art history itself was undergoing important, seemingly contrary, changes, not only in the direction of internationalization but also toward nationalisms. Throughout those crucial years, Grabar ultimately became an ideal figure of mediation between his native Russian milieu and the French one to which he acculturated.
Návaznosti
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