KRAJNÍK, Filip. Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist. In In/Outside the Frame Conference, 15th International Cultural Studies Conference & 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice. 2020.
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Základní údaje
Originální název Matthew Medbourne’s St. Cecily : or, The Converted Twins : The Medieval Saint as a Restoration Papist
Autoři KRAJNÍK, Filip (203 Česká republika, garant, domácí).
Vydání In/Outside the Frame Conference, 15th International Cultural Studies Conference & 4th International Conference on Linguistics and Language Teaching and Learning, 5th-6th November 2020, University of Pardubice, Pardubice, 2020.
Další údaje
Originální jazyk angličtina
Typ výsledku Prezentace na konferencích
Obor 60206 Specific literatures
Stát vydavatele Česká republika
Utajení není předmětem státního či obchodního tajemství
WWW URL
Kód RIV RIV/00216224:14210/20:00114683
Organizační jednotka Filozofická fakulta
Klíčová slova česky restaurační divadlo; náboženské drama; svatá Cecílie
Klíčová slova anglicky Restoration theatre; religious drama; St Cecilia
Štítky rivok
Příznaky Mezinárodní význam, Recenzováno
Změnil Změnila: Mgr. Zuzana Matulíková, učo 405304. Změněno: 30. 3. 2021 12:01.
Anotace
The paper will discuss the tragedy St. Cecily: or, The Converted Twins, a rare example of a Restoration religious play, concerned with the martyrdom of St. Cecilia, written by the Catholic actor and playwright Matthew Medbourne in 1666 and dedicated to Catherine of Braganza, the then new wife of King Charles II. As Monika Fludernik has recently demonstrated, early-modern English plays about female martyrs could be (and probably originally were) seen as veiled and ambiguous commentaries on the then current political and religious conflicts in the country. However, virtually no attention has been paid so far to Medbourne's play, perhaps because of its rather mediocre literary quality and the fact that it was never staged in its own time. This paper will examine it through the prism of the conflict between the Protestant establishment and the English Catholic minority in the 1660s, which ultimately culminated in the Exclusion Crisis in the late 1670s and the Glorious revolution of 1688. I will argue that, especially in Cecilia’s final confrontation with judge Almachius, the medieval saint becomes a speaker for the Catholic cause, exposing the tyranny of the Anglican establishment, while appealing to the English King for the tolerance of Catholic faith.
Návaznosti
GA19-07494S, projekt VaVNázev: Anglická divadelní kultura 1660-1737
Investor: Grantová agentura ČR, Anglická divadelní kultura 1660-1737
VytisknoutZobrazeno: 25. 4. 2024 07:16