An Assessment of Czech Musicology and Theatre Studies : Thirty
Years After the Fall of the Iron Curtain

D 2020

An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain

SPURNÝ, Lubomír a Helena SPURNÁ

Základní údaje

Originální název

An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain

Autoři

SPURNÝ, Lubomír a Helena SPURNÁ

Vydání

1. vyd. Moscow, Art History in the Context of Other Sciences in Modern World : Parallels and Interaction: Proceedings of the International Academic Conference, April 21–26, 2019, od s. 232-238, 7 s. 2020

Nakladatel

The Russian State Library: Information and Publishing House

Další údaje

Jazyk

angličtina

Typ výsledku

Stať ve sborníku

Obor

60403 Performing arts studies

Stát vydavatele

Rusko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/20:00118161

Organizační jednotka

Filozofická fakulta

ISBN

978-5-9216-0264-9

Klíčová slova anglicky

musicology; theatrology; Czech Republic; semiotics; structuralism; theatricality; Centre for Music Theatre

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 20. 4. 2021 10:33, doc. PhDr. Martin Flašar, Ph.D.

Anotace

V originále

The continuing historiographical focus of both disciplines arising from the Central European tradition is reflected in the expansion of the range of historical themes. Musicology and theatre studies, however, react less flexibly to new interpretative approaches and research methods. Music semiotics, which rapidly developed in the 1970s and 1980s from an initiative of the most important team of Czech musicologists, has not found its successors in the new era. Czech musi- cology and theatre studies lack the former research team, with the range of specific interests and themes failing to correspond with the need for an integrating foundation. Only a few personages, who are providing Czech musicology and theatrology with new perspectives and research meth- ods, can be named at present. To give an example, the co-author of this contribution, Lubomír Spurný, was attempting, under the influence of his studies in Vienna, to propagate on the domestic scene the analysis of the Austrian music theoretician Heinrich Schenker. As for the Czech thea- trology, a number of smaller successes exist, although any kind of theoretical thinking does not come about in a systematic manner in this country. The Department of Theatre Studies at Masaryk University in Brno has the biggest potential for new research. The department organizes lectures and seminaries on, for example, the performativity of nationalism, the theatricality of the political trials of the 1950s, the theatricality of the Middle Ages and mass demonstrations.

Návaznosti

MUNI/A/0887/2019, interní kód MU

Název: Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část VII.

Investor: Masarykova univerzita, Výzkumné sondy k dějinám hudební kultury na Moravě, především v Brně, část VII., DO R. 2020_Kategorie A - Specifický výzkum - Studentské výzkumné projekty

Citovat

SPURNÝ, Lubomír a Helena SPURNÁ. An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain. In Konson, Grigoriy R. Art History in the Context of Other Sciences in Modern World : Parallels and Interaction: Proceedings of the International Academic Conference, April 21–26, 2019. 1. vyd. Moscow: The Russian State Library: Information and Publishing House, 2020, s. 232-238. ISBN 978-5-9216-0264-9.

@inproceedings{1741436,
   author = {Spurný, Lubomír and Spurná, Helena},
   address = {Moscow},
   booktitle = {Art History in the Context of Other Sciences in Modern World : Parallels and Interaction: Proceedings of the International Academic Conference, April 21–26, 2019},
   edition = {1.},
   editor = {Konson, Grigoriy R.},
   keywords = {musicology; theatrology; Czech Republic; semiotics; structuralism; theatricality; Centre for Music Theatre},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Moscow},
   isbn = {978-5-9216-0264-9},
   pages = {232-238},
   publisher = {The Russian State Library: Information and Publishing House},
   title = {An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain},
   url = {https://pure.spbu.ru/ws/portalfiles/portal/74853983/The_Proceedings.pdf},
   year = {2020}
}

TY  - CONF
ID  - 1741436
AU  - Spurný, Lubomír - Spurná, Helena
PY  - 2020
TI  - An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain
PB  - The Russian State Library: Information and Publishing House
CY  - Moscow
SN  - 9785921602649
KW  - musicology
KW  - theatrology
KW  - Czech Republic
KW  - semiotics
KW  - structuralism
KW  - theatricality
KW  - Centre for Music Theatre
UR  - https://pure.spbu.ru/ws/portalfiles/portal/74853983/The_Proceedings.pdf
N2  - The continuing historiographical focus of both disciplines arising from the Central European tradition is reflected in the expansion of the range of historical themes. Musicology and theatre studies, however, react less flexibly to new interpretative approaches and research methods. Music semiotics, which rapidly developed in the 1970s and 1980s from an initiative of the most important team of Czech musicologists, has not found its successors in the new era. Czech musi- cology and theatre studies lack the former research team, with the range of specific interests and themes failing to correspond with the need for an integrating foundation. Only a few personages, who are providing Czech musicology and theatrology with new perspectives and research meth- ods, can be named at present. To give an example, the co-author of this contribution, Lubomír Spurný, was attempting, under the influence of his studies in Vienna, to propagate on the domestic scene the analysis of the Austrian music theoretician Heinrich Schenker. As for the Czech thea- trology, a number of smaller successes exist, although any kind of theoretical thinking does not come about in a systematic manner in this country. The Department of Theatre Studies at Masaryk University in Brno has the biggest potential for new research. The department organizes lectures and seminaries on, for example, the performativity of nationalism, the theatricality of the political trials of the 1950s, the theatricality of the Middle Ages and mass demonstrations.
ER  -

SPURNÝ, Lubomír a Helena SPURNÁ. An Assessment of Czech Musicology and Theatre Studies : Thirty Years After the Fall of the Iron Curtain. In Konson, Grigoriy R. \textit{Art History in the Context of Other Sciences in Modern World : Parallels and Interaction: Proceedings of the International Academic Conference, April 21–26, 2019}. 1. vyd. Moscow: The Russian State Library: Information and Publishing House, 2020, s.~232-238. ISBN~978-5-9216-0264-9.

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