From Sarapis to Christ to the Caliph : Faces as
Re-Appropriation of the Past

C 2021

From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past

FOLETTI, Ivan a Katharina MEINECKE

Základní údaje

Originální název

From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past

Autoři

FOLETTI, Ivan a Katharina MEINECKE

Vydání

London, Imagining the Divine : exploring art in religions of late antiquity across Eurasia, od s. 111-132, 22 s. British Museum Press, 2021

Nakladatel

British Museum Press

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/21:00121142

Organizační jednotka

Filozofická fakulta

ISBN

978-0-86159-234-0

Klíčová slova anglicky

Sarapis; Christ; Caliph; Umayyad coins; Santa Pudenziana; Faces; Traditio Legis; Palmira

Štítky

rivok

Změněno: 22. 4. 2022 10:08, prof. Mgr. Ondřej Jakubec, Ph.D.

Anotace

V originále

What makes a face? What makes a body? In this essay we will reflect, in a two-person dialogue, on the shift in forms and concepts from the pagan visual world to that of the early Christians and the Umayyad caliphate. Our aim is to investigate how authority was created through the appropriation of images from the past. We do not wish to present a complete panorama – that would be impossible in these few pages – but rather concentrate on certain types. We will begin with the face of a man (and god) with a long beard and long hair, present across the three religious cultures considered. Then we will complete the argument with the introduction of the whole body, with particular attention to the standing figure. Finally, we will examine the reclining banqueter as a motif appropriated from the distant past.

Citovat

FOLETTI, Ivan a Katharina MEINECKE. From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past. In Elsner, Jas'; Wood, Rachel. Imagining the Divine : exploring art in religions of late antiquity across Eurasia. London: British Museum Press, 2021, s. 111-132. British Museum Press. ISBN 978-0-86159-234-0.

@inbook{1742897,
   author = {Foletti, Ivan and Meinecke, Katharina},
   address = {London},
   booktitle = {Imagining the Divine : exploring art in religions of late antiquity across Eurasia},
   editor = {Elsner, Jas'; Wood, Rachel},
   keywords = {Sarapis; Christ; Caliph; Umayyad coins; Santa Pudenziana; Faces; Traditio Legis; Palmira},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {London},
   isbn = {978-0-86159-234-0},
   pages = {111-132},
   publisher = {British Museum Press},
   title = {From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past},
   year = {2021}
}

TY  - CHAP
ID  - 1742897
AU  - Foletti, Ivan - Meinecke, Katharina
PY  - 2021
TI  - From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past
VL  - British Museum Press
PB  - British Museum Press
CY  - London
SN  - 9780861592340
KW  - Sarapis
KW  - Christ
KW  - Caliph
KW  - Umayyad coins
KW  - Santa Pudenziana
KW  - Faces
KW  - Traditio Legis
KW  - Palmira
N2  - What makes a face? What makes a body? In this essay we will reflect, in a two-person dialogue, on the shift in forms and concepts from the pagan visual world to that of the early Christians and the Umayyad caliphate. Our aim is to investigate how authority was created through the appropriation of images from the past. We do not wish to present a complete panorama – that would be impossible in these few pages – but rather concentrate on certain types. We will begin with the face of a man (and god) with a long beard and long hair, present across the three religious cultures considered. Then we will complete the argument with the introduction of the whole body, with particular attention to the standing figure. Finally, we will examine the reclining banqueter as a motif appropriated from the distant past.
ER  -

FOLETTI, Ivan a Katharina MEINECKE. From Sarapis to Christ to the Caliph : Faces as Re-Appropriation of the Past. In Elsner, Jas'; Wood, Rachel. \textit{Imagining the Divine : exploring art in religions of late antiquity across Eurasia}. London: British Museum Press, 2021, s.~111-132. British Museum Press. ISBN~978-0-86159-234-0.

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