p 2021

National, World or Shared Heritage? The seventh-century basilica in Mren

FOLETTI, Ivan; Klára DOLEŽALOVÁ a Katarína KRAVČÍKOVÁ

Základní údaje

Originální název

National, World or Shared Heritage? The seventh-century basilica in Mren

Autoři

FOLETTI, Ivan (203 Česká republika, garant, domácí); Klára DOLEŽALOVÁ (203 Česká republika, domácí) a Katarína KRAVČÍKOVÁ (703 Slovensko, domácí)

Vydání

EDUC Seminar - Culture and Heritage, 24. 3. 2021, online, 2021

Další údaje

Jazyk

angličtina

Typ výsledku

Vyžádané přednášky

Obor

60401 Arts, Art history

Stát vydavatele

Francie

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/21:00118901

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Mren; Transcultural Caucasus; Armenian Identity; Cultural Genocide; Shared Heritage

Štítky

Změněno: 22. 4. 2022 10:54, prof. Mgr. Ondřej Jakubec, Ph.D.

Anotace

V originále

On the border between the present-day Turkey and Armenia stands a 7th-century Christian basilica preserved from the medieval city of Mren. Its today’s state of preservation is catastrophic, since the monument was destroyed by Turkish army after the Armenian genocide of 1915. While belonging to Turkey, this site of world heritage is menaced and without a rapid intervention risks to cease to exist. This is due to tragic understanding of the local heritage by all parties involved: for Armenians, Mren is a proof of their presence in eastern Anatolia, for Turkey it appears to be a memory of the past events of 1915, which are still negated by the official politic of Ankara. From our perspective, this nationalist and 19th/20th-century perspective is biased – Mren should be considered as a place of “shared heritage” beyond the national borders. Its visual patterns and architectural setting show its strong connection to a shared Mediterranean culture of the early Middle Ages. Thus, this paper wishes to investigate: 1) Mren’s historical value as a proof of interconnection between the medieval Armenian culture and the Mediterranean; 2) its historiographical interpretation in art-historical research, especially in the period of growing tensions around the year 1900; 3) its importance as a site of memory and possible reconciliation through monumental heritage.

Návaznosti

GF21-01706L, projekt VaV
Název: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Akronym: CIMS)
Investor: Grantová agentura ČR, Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Partnerská agentura (Švýcarsko)