2021
Updating the Legacy of the Black Arts Movement and Staying Relevant: Reconnecting with Africa in Ishmael Reed's Japanese by Spring
ŠALAMOUN, JiříZákladní údaje
Originální název
Updating the Legacy of the Black Arts Movement and Staying Relevant: Reconnecting with Africa in Ishmael Reed's Japanese by Spring
Autoři
Vydání
Liverpool, With Fists Raised : Radical Art, Contemporary Activism, and the Iconoclasm of the Black Arts Movement, od s. 249-268, 20 s. 2021
Nakladatel
Liverpool University Press
Další údaje
Jazyk
angličtina
Typ výsledku
Kapitola resp. kapitoly v odborné knize
Obor
60206 Specific literatures
Stát vydavatele
Velká Británie a Severní Irsko
Utajení
není předmětem státního či obchodního tajemství
Forma vydání
tištěná verze "print"
Odkazy
Kód RIV
RIV/00216224:14410/21:00121408
Organizační jednotka
Pedagogická fakulta
ISBN
978-1-80085-977-7
Klíčová slova anglicky
Ishmael Reed; Black Arts movement; Africa; Yoruba religion; African American literature
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 3. 5. 2023 13:48, Mgr. Jiří Šalamoun, Ph.D.
Anotace
V originále
This chapter argues for reconsideration of Ishmael Reed’s position to Black Arts Movement. It shows that in his Japanese by Spring, Reed nurtures a key theme of the movement (reconnection to Africa) even at times when the movement itself could not do so and when such a literary goal was perceived as outdated. The chapter does so in the context of contemporary research on the BAM, namely via the presence of anticipation and discussion and disagreement in the novel. The chapter ultimately argues for a closer connection between Reed and the BAM by showing how prominent his vision of African reconnection is in Japanese by Spring. By doing so, it updates the common misconception regarding Reed’s relationship with the BAM and, secondly, it claims that his works should be included in the recently increased research attention paid to BAM.