C 2021

Updating the Legacy of the Black Arts Movement and Staying Relevant: Reconnecting with Africa in Ishmael Reed's Japanese by Spring

ŠALAMOUN, Jiří

Základní údaje

Originální název

Updating the Legacy of the Black Arts Movement and Staying Relevant: Reconnecting with Africa in Ishmael Reed's Japanese by Spring

Vydání

Liverpool, With Fists Raised : Radical Art, Contemporary Activism, and the Iconoclasm of the Black Arts Movement, od s. 249-268, 20 s. 2021

Nakladatel

Liverpool University Press

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60206 Specific literatures

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

Kód RIV

RIV/00216224:14410/21:00121408

Organizační jednotka

Pedagogická fakulta

ISBN

978-1-80085-977-7

Klíčová slova anglicky

Ishmael Reed; Black Arts movement; Africa; Yoruba religion; African American literature

Štítky

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 3. 5. 2023 13:48, Mgr. Jiří Šalamoun, Ph.D.

Anotace

V originále

This chapter argues for reconsideration of Ishmael Reed’s position to Black Arts Movement. It shows that in his Japanese by Spring, Reed nurtures a key theme of the movement (reconnection to Africa) even at times when the movement itself could not do so and when such a literary goal was perceived as outdated. The chapter does so in the context of contemporary research on the BAM, namely via the presence of anticipation and discussion and disagreement in the novel. The chapter ultimately argues for a closer connection between Reed and the BAM by showing how prominent his vision of African reconnection is in Japanese by Spring. By doing so, it updates the common misconception regarding Reed’s relationship with the BAM and, secondly, it claims that his works should be included in the recently increased research attention paid to BAM.