SKOPAL, Pavel. Offers Difficult to Refuse : Miloš Havel and Clientele Transactional Networks in the Protectorate Bohemia and Moravia. In Skopal, Pavel; Vande Winkel, Roel. Film Professionals in Nazi-Occupied Europe. Mediation Between the National-Socialist Cultural "New Order" and Local Structures. Cham: Palgrave Macmillan, 2021, s. 147-169. European Cinema and TV. ISBN 978-3-030-61633-5. Dostupné z: https://dx.doi.org/10.1007/978-3-030-61634-2_6.
Další formáty:   BibTeX LaTeX RIS
Základní údaje
Originální název Offers Difficult to Refuse : Miloš Havel and Clientele Transactional Networks in the Protectorate Bohemia and Moravia
Autoři SKOPAL, Pavel (203 Česká republika, garant, domácí).
Vydání Cham, Film Professionals in Nazi-Occupied Europe. Mediation Between the National-Socialist Cultural "New Order" and Local Structures, od s. 147-169, 23 s. European Cinema and TV, 2021.
Nakladatel Palgrave Macmillan
Další údaje
Originální jazyk angličtina
Typ výsledku Kapitola resp. kapitoly v odborné knize
Obor 60405 Studies on Film, Radio and Television
Utajení není předmětem státního či obchodního tajemství
Forma vydání tištěná verze "print"
WWW URL
Kód RIV RIV/00216224:14210/21:00119201
Organizační jednotka Filozofická fakulta
ISBN 978-3-030-61633-5
Doi http://dx.doi.org/10.1007/978-3-030-61634-2_6
Klíčová slova anglicky Protectorate Bohemia and Moravia; patronage; film studios; Nazi occupation; Miloš Havel; Barrandov
Štítky rivok, topvydavatel
Změnil Změnila: Mgr. et Mgr. Lucie Tomaňová, učo 445546. Změněno: 10. 5. 2022 13:54.
Anotace
At the time of German occupation in 1939, film producer and businessman Miloš Havel was arguably the most influential personality in the Czechoslovak national film industry. During the Protectorate, he was deprived of the main source of his agency, the Barrandov studios, and lost most of his Czech political patrons when the Protectorate government was reorganised in January 1942. Though deprived of the support he previously enjoyed in the heteronomous world of politics, he was able to maintain his transactional network within the film world and to compensate for the lost connections to political patrons. This chapter provides insight into the measures, whereby this local actor sought to maintain his network and capital, to preserve his pre-war resources, and to keep established structures working under highly volatile circumstances. The concepts of patronage, brokers, and transactional networks provide the theoretical framework for the analysis of Havel’s career during the period under consideration.
Návaznosti
GA16-13375S, projekt VaVNázev: Česká filmová kultura a německá okupace: procesy kulturního transferu
Investor: Grantová agentura ČR, Česká filmová kultura a německá okupace: procesy kulturního transferu
VytisknoutZobrazeno: 27. 4. 2024 04:58