The theatre of exhibitions : Czechoslovakia at the
International Exhibition in Paris, 1937

J 2021

The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937

FILIPOVÁ, Marta

Základní údaje

Originální název

The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937

Autoři

FILIPOVÁ, Marta

Vydání

Journal of Design History, Oxford, Oxford University Press, 2021, 0952-4649

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/21:00123641

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

exhibitions; world fairs; Paris; Czechoslova pavilon

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 18. 5. 2022 13:23, Mgr. et Mgr. Lucie Racyn

Anotace

V originále

How can an exhibition designer engage the visitor to a world’s fair who has already spent hours walking around the grounds, visiting other attractions and countless national pavilions? This question drove many theoretical and practical considerations of exhibition design during the interwar period and preoccupied many designers and artists. As a very active participant in world’s fairs at this time, Czechoslovakia established an intricate system of presenting its material production and cultural prowess which included careful design of the exterior of its pavilion as well as its interior. Using the Czechoslovak pavilion at the International Exhibition of Art an d Technology in Modern Life in Paris, 1937, as a case study, this article examines how Czech designers developed their own original ideas about exhibition design informed by other disciplines. It offers a reading of exhibition design in parallel with stage design and claims that the two shared many techniques, aimed at attracting audiences. It stresses, on the one hand, the affiliation between the two design areas and on the other, the original contribution of designers from Czechoslovakia to the development of exhibition design as a self-sufficient field in the interwar period.

Návaznosti

786314, interní kód MU

Název: Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE (Akronym: CRAACE)

Investor: Evropská unie, Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE, ERC (Excellent Science)

Citovat

FILIPOVÁ, Marta. The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937. Journal of Design History. Oxford: Oxford University Press, 2021, roč. 35, č. 11, s. 1-19. ISSN 0952-4649. Dostupné z: https://doi.org/10.1093/jdh/epab052.

@article{1819479,
   author = {Filipová, Marta},
   article_location = {Oxford},
   article_number = {11},
   doi = {https://doi.org/10.1093/jdh/epab052},
   keywords = {exhibitions; world fairs; Paris; Czechoslova pavilon},
   language = {eng},
   issn = {0952-4649},
   journal = {Journal of Design History},
   title = {The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937},
   url = {https://doi.org/10.1093/jdh/epab052},
   volume = {35},
   year = {2021}
}

TY  - JOUR
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AU  - Filipová, Marta
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TI  - The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937
JF  - Journal of Design History
VL  - 35
IS  - 11
SP  - 1-19
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PB  - Oxford University Press
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KW  - exhibitions
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UR  - https://doi.org/10.1093/jdh/epab052
N2  - How can an exhibition designer engage the visitor to a world’s fair who has already spent hours walking around the grounds, visiting other attractions and countless national pavilions? This question drove many theoretical and practical considerations of exhibition design during the interwar period and preoccupied many designers and artists. As a very active participant in world’s fairs at this time, Czechoslovakia established an intricate system of presenting its material production and cultural prowess which included careful design of the exterior of its pavilion as well as its interior. Using the Czechoslovak pavilion at the International Exhibition of Art an d Technology in Modern Life in Paris, 1937, as a case study, this article examines how Czech designers developed their own original ideas about exhibition design informed by other disciplines. It offers a reading of exhibition design in parallel with stage design and claims that the two shared many techniques, aimed at attracting audiences. It stresses, on the one hand, the affiliation between the two design areas and on the other, the original contribution of designers from Czechoslovakia to the development of exhibition design as a self-sufficient field in the interwar period.
ER  -

FILIPOVÁ, Marta. The theatre of exhibitions : Czechoslovakia at the International Exhibition in Paris, 1937. \textit{Journal of Design History}. Oxford: Oxford University Press, 2021, roč.~35, č.~11, s.~1-19. ISSN~0952-4649. Dostupné z: https://doi.org/10.1093/jdh/epab052.

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