Restored and De-restored : Killing Off Garrick in John Philip
Kemble's King Lear

J 2021

Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

KRAJNÍK, Filip

Základní údaje

Originální název

Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear

Autoři

KRAJNÍK, Filip (203 Česká republika, garant, domácí)

Vydání

Theatralia, Brno, Masarykova univerzita, 2021, 1803-845X

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60206 Specific literatures

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Plný text článku.

Kód RIV

RIV/00216224:14210/21:00119576

Organizační jednotka

Filozofická fakulta

DOI

http://dx.doi.org/10.5817/TY2021-1-7

Klíčová slova anglicky

Adaptation of Shakespeare; David Garrick; Eighteenth century English theatre; George Colman; John Philip Kemble; King Lear; Nahum Tate; Restoration theatre; William Shakespeare

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 12. 5. 2022 09:57, Mgr. et Mgr. Stanislav Hasil

Anotace

V originále

Nahum Tate's Restoration version of King Lear (1680 or 1681) managed to replace Shakespeare's original on English stages for more than a century and a half. While the efforts of David Garick and George Colman to reinstate Shakespeare's plot and language in English theatres in the latter half of the eighteenth century have been acknowledged, little has been said in this respect about the late eighteenth-century actor and theatre manager John Philip Kemble and his version of the play that premiered in 1792. The present article will try to propose the possible motivation of Kemble's step to discard Garrick's popular alteration and will also argue that the decision to erase Garrick's restorations and recur essentially to Tate's outmoded version of the play at the end of the eighteenth century was probably one of the factors that helped to restore Shakespeare's original in English theatres when King Lear was revived in the 1820s after a decade-long hiatus.

Návaznosti

GA19-07494S, projekt VaV

Název: Anglická divadelní kultura 1660-1737

Investor: Grantová agentura ČR, Anglická divadelní kultura 1660-1737

Citovat

KRAJNÍK, Filip. Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear. Theatralia. Brno: Masarykova univerzita, 2021, roč. 24, č. 1, s. 92-100. ISSN 1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2021-1-7.

@article{1822259,
   author = {Krajník, Filip},
   article_location = {Brno},
   article_number = {1},
   doi = {http://dx.doi.org/10.5817/TY2021-1-7},
   keywords = {Adaptation of Shakespeare; David Garrick; Eighteenth century English theatre; George Colman; John Philip Kemble; King Lear; Nahum Tate; Restoration theatre; William Shakespeare},
   language = {eng},
   issn = {1803-845X},
   journal = {Theatralia},
   title = {Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear},
   url = {https://digilib.phil.muni.cz/handle/11222.digilib/143816},
   volume = {24},
   year = {2021}
}

TY  - JOUR
ID  - 1822259
AU  - Krajník, Filip
PY  - 2021
TI  - Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear
JF  - Theatralia
VL  - 24
IS  - 1
SP  - 92-100
EP  - 92-100
PB  - Masarykova univerzita
SN  - 1803845X
KW  - Adaptation of Shakespeare
KW  - David Garrick
KW  - Eighteenth century English theatre
KW  - George Colman
KW  - John Philip Kemble
KW  - King Lear
KW  - Nahum Tate
KW  - Restoration theatre
KW  - William Shakespeare
UR  - https://digilib.phil.muni.cz/handle/11222.digilib/143816
N2  - Nahum Tate's Restoration version of King Lear (1680 or 1681) managed to replace Shakespeare's original on English stages for more than a century and a half. While the efforts of David Garick and George Colman to reinstate Shakespeare's plot and language in English theatres in the latter half of the eighteenth century have been acknowledged, little has been said in this respect about the late eighteenth-century actor and theatre manager John Philip Kemble and his version of the play that premiered in 1792. The present article will try to propose the possible motivation of Kemble's step to discard Garrick's popular alteration and will also argue that the decision to erase Garrick's restorations and recur essentially to Tate's outmoded version of the play at the end of the eighteenth century was probably one of the factors that helped to restore Shakespeare's original in English theatres when King Lear was revived in the 1820s after a decade-long hiatus.
ER  -

KRAJNÍK, Filip. Restored and De-restored : Killing Off Garrick in John Philip Kemble's King Lear. \textit{Theatralia}. Brno: Masarykova univerzita, 2021, roč.~24, č.~1, s.~92-100. ISSN~1803-845X. Dostupné z: https://dx.doi.org/10.5817/TY2021-1-7.

Podrobný výpis o publikaci