Haunted Purgatory : Boccaccio's Decameron 3.8 as an
Eighteenth-Century Afterpiece

J 2021

Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece

KRAJNÍK, Filip

Základní údaje

Originální název

Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece

Autoři

KRAJNÍK, Filip (203 Česká republika, garant, domácí)

Vydání

Theory and Practice in English Studies (THEPES), Brno, Masarykova univerzita, 2021, 1805-0859

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60206 Specific literatures

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

Plný text článku.

Kód RIV

RIV/00216224:14210/21:00119577

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Boccaccio; Decameron; intertextuality; Restoration theatre; English theatre of the eighteenth century; Benjamin Griffin; The Humours of Purgatory; farce

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 10. 2. 2022 21:52, Mgr. Jana Pelclová, Ph.D.

Anotace

V originále

The present article addresses the issue of intertextuality of the English theatre of the long Restoration period (1660–1737), using Benjamin Griffin's farce The Humours of Purgatory (1716) as a case study. Although The Humours of Purgatory clearly employs a then popular tale from Boccaccio's Decameron, the study argues that, especially during the play's production, a number of other factors (some of which were beyond the realm of the text) entered the referential framework of the piece, making it virtually impossible to talk about a single source and its straightforward adaptation or a clear-cut genealogy of the work. Employing Marvin Carlson's concept of ghosting (or "haunting"), the study shows how elements of various works from both literary and theatre cultures of the time participated in complex and shifting intertextual networks, with multiple links and relations between their individual members. From the analysis it also transpires that the early eighteenth-century farce was an integral and valuable part of English theatre culture of the time, one that – along with other "lesser" or "popular" theatre forms that helped to shape the performance tradition of the period – deserves more systematic academic attention.

Návaznosti

GA19-07494S, projekt VaV

Název: Anglická divadelní kultura 1660-1737

Investor: Grantová agentura ČR, Anglická divadelní kultura 1660-1737

Citovat

KRAJNÍK, Filip. Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece. Theory and Practice in English Studies (THEPES). Brno: Masarykova univerzita, 2021, roč. 10, č. 1, s. 49-62. ISSN 1805-0859.

@article{1822274,
   author = {Krajník, Filip},
   article_location = {Brno},
   article_number = {1},
   keywords = {Boccaccio; Decameron; intertextuality; Restoration theatre; English theatre of the eighteenth century; Benjamin Griffin; The Humours of Purgatory; farce},
   language = {eng},
   issn = {1805-0859},
   journal = {Theory and Practice in English Studies (THEPES)},
   title = {Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece},
   url = {https://digilib.phil.muni.cz/handle/11222.digilib/143985},
   volume = {10},
   year = {2021}
}

TY  - JOUR
ID  - 1822274
AU  - Krajník, Filip
PY  - 2021
TI  - Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece
JF  - Theory and Practice in English Studies (THEPES)
VL  - 10
IS  - 1
SP  - 49-62
EP  - 49-62
PB  - Masarykova univerzita
SN  - 18050859
KW  - Boccaccio
KW  - Decameron
KW  - intertextuality
KW  - Restoration theatre
KW  - English theatre of the eighteenth century
KW  - Benjamin Griffin
KW  - The Humours of Purgatory
KW  - farce
UR  - https://digilib.phil.muni.cz/handle/11222.digilib/143985
N2  - The present article addresses the issue of intertextuality of the English theatre of the long Restoration period (1660–1737), using Benjamin Griffin's farce The Humours of Purgatory (1716) as a case study. Although The Humours of Purgatory clearly employs a then popular tale from Boccaccio's Decameron, the study argues that, especially during the play's production, a number of other factors (some of which were beyond the realm of the text) entered the referential framework of the piece, making it virtually impossible to talk about a single source and its straightforward adaptation or a clear-cut genealogy of the work. Employing Marvin Carlson's concept of ghosting (or "haunting"), the study shows how elements of various works from both literary and theatre cultures of the time participated in complex and shifting intertextual networks, with multiple links and relations between their individual members. From the analysis it also transpires that the early eighteenth-century farce was an integral and valuable part of English theatre culture of the time, one that – along with other "lesser" or "popular" theatre forms that helped to shape the performance tradition of the period – deserves more systematic academic attention.
ER  -

KRAJNÍK, Filip. Haunted Purgatory : Boccaccio's Decameron 3.8 as an Eighteenth-Century Afterpiece. \textit{Theory and Practice in English Studies (THEPES)}. Brno: Masarykova univerzita, 2021, roč.~10, č.~1, s.~49-62. ISSN~1805-0859.

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