J 2022

The Tangible and the Invisible : from Faces to Concepts, and to Malevich

FOLETTI, Ivan

Basic information

Original name

The Tangible and the Invisible : from Faces to Concepts, and to Malevich

Authors

FOLETTI, Ivan (203 Czech Republic, guarantor, belonging to the institution)

Edition

Codex Aqvilarensis, 2022, 0214-896X

Other information

Language

English

Type of outcome

Článek v odborném periodiku

Field of Study

60400 6.4 Arts

Country of publisher

Spain

Confidentiality degree

není předmětem státního či obchodního tajemství

References:

Impact factor

Impact factor: 0.100

RIV identification code

RIV/00216224:14210/22:00119624

Organization unit

Faculty of Arts

UT WoS

000988346300001

Keywords in English

Aniconic Images; Ornamentum; San Vincenzo al Volturno; Sant’Agnese in Rome; Golden Altar of Ambrose; Khachkars; “Crista” of Suger of Saint Denis; Malevich
Změněno: 6/6/2023 15:52, Mgr. et Mgr. Stanislav Hasil

Abstract

V originále

How to represent God was a crucial question in the early Middle Ages. While the idea that the face of Christ could be depicted was accepted, alternative versions emerged over the centuries. Following an initial phase with devotional images oscillating between mimetic and schematic, aniconic images appeared more prevalently. Aniconic ornamentum then became one of the most effective ways to give a tangible dimension to the invisible god.

Links

GF21-01706L, research and development project
Name: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Acronym: CIMS)
Investor: Czech Science Foundation, Partner Agency (Switzerland)