p 2022

Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')

FOLETTI, Ivan

Základní údaje

Originální název

Le livre sur le trone: une image de l'orthodoxie dans la Méditerranée de l'Antiquité tardive (et au-dela')

Název anglicky

The book on the throne: an image of orthodoxy in the Mediterranean of late antiquity (and beyond)

Autoři

FOLETTI, Ivan

Vydání

Rencontres Imago, Université de Poitiers, 2022

Další údaje

Jazyk

francouzština

Typ výsledku

Vyžádané přednášky

Obor

60400 6.4 Arts

Stát vydavatele

Francie

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/22:00119730

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Empty throne; Ecumenical Council; Liturgical Installation; Orthodoxy; Talin; Santa Maria Maggiore; San Crisogono; Hagia Sophia

Anotace

ORIG EN

V originále

The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.

Anglicky

The lecture was organised as follows: the starting point for this study was the apsidal decoration of the church of Talin, where an empty throne – with a book depicted on it – dominated the space. This image was contextualised in the framework of throne representations with various attributes, which allow us to understand the dissemination of this visual (and ritual) concept around the Mediterranean. Thirdly, the political significance of thrones with books between the fifth and ninth centuries was analysed, and finally, it was explored the political-ecclesiastical context in which the Talin image was painted.

Návaznosti

GF21-01706L, projekt VaV
Název: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Akronym: CIMS)
Investor: Grantová agentura ČR, Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Partnerská agentura (Švýcarsko)