The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural
Exchange between Germany and the Georgian SSR in the Interwar
Period?

k 2022

The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period?

DOLEŽALOVÁ, Klára

Základní údaje

Originální název

The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period?

Autoři

DOLEŽALOVÁ, Klára (203 Česká republika, garant, domácí)

Vydání

Artistic Networks in the Caucasian Space : New Researches and Perspectives (University of Fribourg, 10-11 May 2022), 2022

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60401 Arts, Art history

Stát vydavatele

Švýcarsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Kód RIV

RIV/00216224:14210/22:00129061

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

historiography; Germany; interwar period; Georgian art; exhibition; traveling exhibition; Friedrich Schmidt-Ott; Otto Hoetzsch; Joseph Sauer; Giorgi Chubinashvili; Alfons Maria Schneider; Nokalakewi

Štítky

rivok

Příznaky

Mezinárodní význam

Změněno: 10. 3. 2023 09:30, doc. Mgr. Pavel Suchánek, Ph.D.

Anotace

V originále

The focal point of the present paper is a traveling exhibition "Georgische Kunst: ihre Entwicklung vom 4.-18. Jahrhundert" co-organized by the People's Commissariat of the Georgian SSR and the German Society for the Study of Eastern Europe and held between July and October 1930 in several major Germanophone metropoles including Berlin, Cologne, Nuremberg, Munich, and Vienna. The main aim of this exhibition was to present selected Georgian monuments mostly displayed in drawings or photographic reproductions to the Western audience. The The exhibition might appear interesting from the point of view of the historiography of Georgian arts, especially for two reasons. Firstly, at the beginning of the 1930s, the Georgian national treasure was still kept in France. Secondly, it was the Georgian art historian Giorgi Chubinashvili (1885–1973) who, besides collaborating on the concept of the exhibition, was the author of the scholarly introduction. Born in St. Petersburg and educated at the universities of Leipzig and Halle, Chubinashvili had become a professor of art history at the Tbilisi State University after the Russian Revolution, significantly contributing to the development of art history in Soviet Georgia. His role in the elaboration of an exhibition presenting the Georgian material heritage in Germany must be, possibly, understood against the backdrop of his activities in Soviet Georgia and possibly due to his ties with Germany. At the same time, the exhibition and several events held next to it were openly presented as a series of steps aiming for consolidating the “cultural relations” between Germany and Georgia. These should have included, among other things, collaborative archaeological excavations on the Georgian territory.

Návaznosti

GF21-01706L, projekt VaV

Název: Kulturní dialogy v Jihokavkazském regionu ve středověku: historiografická a historicko-umělecká perspektiva (Akronym: CIMS)

Investor: Grantová agentura ČR, Cultural Interactions in the Medieval Subcaucasian Region: Historiographical and Art-Historical Perspectives, Partnerská agentura (Švýcarsko)

Citovat

DOLEŽALOVÁ, Klára. The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period? In Artistic Networks in the Caucasian Space : New Researches and Perspectives (University of Fribourg, 10-11 May 2022). 2022.

@proceedings{1853657,
   author = {Doležalová, Klára},
   booktitle = {Artistic Networks in the Caucasian Space : New Researches and Perspectives (University of Fribourg, 10-11 May 2022)},
   keywords = {historiography; Germany; interwar period; Georgian art; exhibition; traveling exhibition; Friedrich Schmidt-Ott; Otto Hoetzsch; Joseph Sauer; Giorgi Chubinashvili; Alfons Maria Schneider; Nokalakewi},
   language = {eng},
   title = {The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period?},
   url = {https://www.academia.edu/78435702/Artistic_Networks_in_the_Caucasian_Space_Workshop_University_of_Fribourg_10_11_May_2022},
   year = {2022}
}

TY  - CONF
ID  - 1853657
AU  - Doležalová, Klára
PY  - 2022
TI  - The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period?
KW  - historiography
KW  - Germany
KW  - interwar period
KW  - Georgian art
KW  - exhibition
KW  - traveling exhibition
KW  - Friedrich Schmidt-Ott
KW  - Otto Hoetzsch
KW  - Joseph Sauer
KW  - Giorgi Chubinashvili
KW  - Alfons Maria Schneider
KW  - Nokalakewi
UR  - https://www.academia.edu/78435702/Artistic_Networks_in_the_Caucasian_Space_Workshop_University_of_Fribourg_10_11_May_2022
N2  - The focal point of the present paper is a traveling exhibition "Georgische Kunst: ihre Entwicklung vom 4.-18. Jahrhundert" co-organized by the People's Commissariat of the Georgian SSR and the German Society for the Study of Eastern Europe and held between July and October 1930 in several major Germanophone metropoles including Berlin, Cologne, Nuremberg, Munich, and Vienna. The main aim of this exhibition was to present selected Georgian monuments mostly displayed in drawings or photographic reproductions to the Western audience. The The exhibition might appear interesting from the point of view of the historiography of Georgian arts, especially for two reasons. Firstly, at the beginning of the 1930s, the Georgian national treasure was still kept in France. Secondly, it was the Georgian art historian Giorgi Chubinashvili (1885–1973) who, besides collaborating on the concept of the exhibition, was the author of the scholarly introduction. Born in St. Petersburg and educated at the universities of Leipzig and Halle, Chubinashvili had become a professor of art history at the Tbilisi State University after the Russian Revolution, significantly contributing to the development of art history in Soviet Georgia. His role in the elaboration of an exhibition presenting the Georgian material heritage in Germany must be, possibly, understood against the backdrop of his activities in Soviet Georgia and possibly due to his ties with Germany. At the same time, the exhibition and several events held next to it were openly presented as a series of steps aiming for consolidating the “cultural relations” between Germany and Georgia. These should have included, among other things, collaborative archaeological excavations on the Georgian territory.
ER  -

DOLEŽALOVÁ, Klára. The Exhibition “Georgische Kunst” (1930) : Trace of a Cultural Exchange between Germany and the Georgian SSR in the Interwar Period? In \textit{Artistic Networks in the Caucasian Space : New Researches and Perspectives (University of Fribourg, 10-11 May 2022)}. 2022.

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