2023
Visualizing the European migrant crisis on social media: the relation of crisis visualities to migrant visibility
DOBOŠ, PavelZákladní údaje
Originální název
Visualizing the European migrant crisis on social media: the relation of crisis visualities to migrant visibility
Autoři
Vydání
Geografiska Annaler, Series B: Human Geography, Taylor & Francis Group, 2023, 0435-3684
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
50701 Cultural and economic geography
Stát vydavatele
Velká Británie a Severní Irsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 1.700
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14310/23:00134010
Organizační jednotka
Přírodovědecká fakulta
UT WoS
EID Scopus
Klíčová slova anglicky
visuality; visibility; European migrant crisis; montage; Facebook; Czech Republic
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 28. 2. 2023 13:15, Mgr. Marie Novosadová Šípková, DiS.
Anotace
V originále
The paper analyses popular geographical imageries of the European migrant crisis. It focuses on visualities that shaped discussions about the event among Czech Facebook users with anti-immigration attitudes. The paper elaborates on the co-production of migrants' visibility and visualities that depict them in certain ways. Visuality influences visibility and shapes what it means for people (who are represented by images) to be visible in certain ways when seen by another people (who observe and consume the images). Here, we analyse how cartographic visualizations and the practice of montage of images produce meanings and affects that make migrants either visible only as abusers of the Czech social welfare system (linking migrants in a racist way to the Roma minority) or visible only as dehumanized raging Muslim invaders that resemble more machine-like beings. These interpretations are explained with references to historical specificities of the Czech context. A user-made, film-like sci-fi video of the crisis is also analysed carefully to demonstrate its imaginary of a collapsing Western Europe, where raging invaders dominate. Presenting migrants' visuality as invaders links these racist and Islamophobic attitudes to migrants' visibility as enemies and targets to be killed, not pitiable human beings to be helped.
Návaznosti
| GA20-03708S, projekt VaV |
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