Decolonizing Central Europe : Czech Art and the Question of
‘Colonial Innocence’

J 2021

Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’

RAMPLEY, Matthew

Základní údaje

Originální název

Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’

Autoři

RAMPLEY, Matthew

Vydání

VISUAL RESOURCES, ENGLAND, TAYLOR & FRANCIS LTD, 2021, 0197-3762

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60401 Arts, Art history

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/21:00126870

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Decolonization; Czechoslovakia; Austria-Hungary; Bosnia; Orientalism; Imperialism; Art collecting; Museums; Post-colonialism; Central Europe

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 3. 4. 2023 16:25, Mgr. et Mgr. Stanislav Hasil, Ph.D.

Anotace

V originále

The recent call to decolonize art history and the institutions of art have largely focused on the legacies of the major European and American colonial powers, such as Britain, France, Spain and the United States. Positioning Europe at the heart of modernity/coloniality prompts questions to do with how to place the states and cultures of east central Europe, none of which had colonial territories or engaged in projects of expropriation and colonial exploitation. It was along assumed that states such as Poland, Hungary and the Czech Republic were little touched by the debate over decolonization, precisely because they had no overseas colonial empires. Belief in ‘colonial innocence’ was an important aspect of national self-definition. This article examines this conviction with reference to the specific case of the Czech lands and Czechoslovakia. Looking at practices of cultural representation, museum collecting and architecture in the nineteenth and early twentieth centuries, it suggests that the idea of colonial innocence is open to interrogation.

Návaznosti

786314, interní kód MU

Název: Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE (Akronym: CRAACE)

Investor: Evropská unie, Continuity and Rupture in Central European Art and Architecture, 1918-1939 — CRAACE, ERC (Excellent Science)

Přiložené soubory

Decolonizing_Central_Europe_Czech_Art_and_the_Question_of_Colonial_Innocence.pdf

Citovat

RAMPLEY, Matthew. Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’. VISUAL RESOURCES. ENGLAND: TAYLOR & FRANCIS LTD, 2021, roč. 37, č. 1, s. 1-30. ISSN 0197-3762. Dostupné z: https://doi.org/10.1080/01973762.2022.2087168.

@article{2224357,
   author = {Rampley, Matthew},
   article_location = {ENGLAND},
   article_number = {1},
   doi = {https://doi.org/10.1080/01973762.2022.2087168},
   keywords = {Decolonization; Czechoslovakia; Austria-Hungary; Bosnia; Orientalism; Imperialism; Art collecting; Museums; Post-colonialism; Central Europe},
   language = {eng},
   issn = {0197-3762},
   journal = {VISUAL RESOURCES},
   title = {Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’},
   url = {https://www.tandfonline.com/doi/full/10.1080/01973762.2022.2087168?src=},
   volume = {37},
   year = {2021}
}

TY  - JOUR
ID  - 2224357
AU  - Rampley, Matthew
PY  - 2021
TI  - Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’
JF  - VISUAL RESOURCES
VL  - 37
IS  - 1
SP  - 1-30
EP  - 1-30
PB  - TAYLOR & FRANCIS LTD
SN  - 01973762
KW  - Decolonization
KW  - Czechoslovakia
KW  - Austria-Hungary
KW  - Bosnia
KW  - Orientalism
KW  - Imperialism
KW  - Art collecting
KW  - Museums
KW  - Post-colonialism
KW  - Central Europe
UR  - https://www.tandfonline.com/doi/full/10.1080/01973762.2022.2087168?src=
N2  - The recent call to decolonize art history and the institutions of art have largely focused on the legacies of the major European and American colonial powers, such as Britain, France, Spain and the United States. Positioning Europe at the heart of modernity/coloniality prompts questions to do with how to place the states and cultures of east central Europe, none of which had colonial territories or engaged in projects of expropriation and colonial exploitation. It was along assumed that states such as Poland, Hungary and the Czech Republic were little touched by the debate over decolonization, precisely because they had no overseas colonial empires. Belief in ‘colonial innocence’ was an important aspect of national self-definition. This article examines this conviction with reference to the specific case of the Czech lands and Czechoslovakia. Looking at practices of cultural representation, museum collecting and architecture in the nineteenth and early twentieth centuries, it suggests that the idea of colonial innocence is open to interrogation.
ER  -

RAMPLEY, Matthew. Decolonizing Central Europe : Czech Art and the Question of ‘Colonial Innocence’. \textit{VISUAL RESOURCES}. ENGLAND: TAYLOR \&{} FRANCIS LTD, 2021, roč.~37, č.~1, s.~1-30. ISSN~0197-3762. Dostupné z: https://doi.org/10.1080/01973762.2022.2087168.

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