Shakespeare and Co. "Quite Undone" : English Renaissance Plays as Late Restoration Popular Entertainments

KRAJNÍK, Filip. Shakespeare and Co. "Quite Undone" : English Renaissance Plays as Late Restoration Popular Entertainments. In How to Do Things with Early Modern Words, 14-16 July 2022, Loughborough University. 2022.

Základní údaje

• Originální název: Shakespeare and Co. "Quite Undone" : English Renaissance Plays as Late Restoration Popular Entertainments
• Autoři: KRAJNÍK, Filip.
• Vydání: How to Do Things with Early Modern Words, 14-16 July 2022, Loughborough University, 2022.

Další údaje

• Originální jazyk: angličtina
• Typ výsledku: Prezentace na konferencích
• Obor: 60206 Specific literatures
• Stát vydavatele: Velká Británie a Severní Irsko
• Utajení: není předmětem státního či obchodního tajemství
• WWW: URL
• Organizační jednotka: Filozofická fakulta
• Klíčová slova česky: Shakespeare; restaurační divadlo; adaptace
• Klíčová slova anglicky: Shakespeare; Restoration theatre; adaptation
• Příznaky: Mezinárodní význam, Recenzováno

Anotace

As Anna Mikyšková has recently argued, early 18th-century England witnessed a clash over the character of English theatres, with theatre managers on one side, who were the leading force behind the theatres’ commercialisation, and critics and authors on the other, who (at least verbally) combated what they saw as a decline in the theatres’ quality. Indeed, figures such as Nahum Tate, William Hogarth, Richard Steele and many others decried the replacement of old classics by new entertainments on London stages, with one of the contemporaneous satirical prints lamenting, "Shakespeare, Rowe, Johnson now are quite undone, / These are thy Triumphs, thy Exploits O Lun!" The present paper will address the attempts to reconcile Renaissance dramaturgy and the early 18th-century popular theatrical forms, focusing on afterpieces and entertainments such as Susanna Centlivre’s A Bickerstaff’s Burying, Christopher Bullock’s The Slip and The Cobbler of Preston, James Worsdale’s A Cure for Scold and others that took the pre-Interregnum dramatic tradition as their source of inspiration. As Shakespeare and his contemporaries have always been associated with "popular theatre", the paper will address the question of what constituted a popular entertainment at in early 18th-century England and what strategies late Restoration playwrights employed to reconcile the perceived "high" culture with the then current demands of the theatregoing audiences. The time-scope of the paper will be the first three decades of the 18th century, that is, the period just before David Garrick’s first efforts to establish Shakespeare as a national poet and himself as "the true son of Shakespeare’s royal ghost" (Dobson).

Návaznosti

• MUNI/A/1478/2021, interní kód MU: Název: Paradigms, strategies and developments - Anglophone literary and cultural studies II

Investor: Masarykova univerzita, Paradigms, strategies and developments - Anglophone literary and cultural studies II