2023
Film programming politics vis-à-vis festival site politics: The case of the Mezipatra queer film festival
ŠERÝ, Ondřej a Pavel DOBOŠZákladní údaje
Originální název
Film programming politics vis-à-vis festival site politics: The case of the Mezipatra queer film festival
Autoři
Vydání
Environment and Planning C: Politics and Space, SAGE Publications Ltd, 2023, 2399-6544
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
50701 Cultural and economic geography
Stát vydavatele
Velká Británie a Severní Irsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 2.400
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14310/23:00130549
Organizační jednotka
Přírodovědecká fakulta
UT WoS
EID Scopus
Klíčová slova anglicky
Queer; queer film festival; Czech Republic; site ontology; politics; film programming; homonormativity
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 8. 8. 2023 15:30, Mgr. Marie Novosadová Šípková, DiS.
Anotace
V originále
This paper belongs to the sub-field of queer geography. It is a spatially sensitive study of queer film festival programming that relates its politics to the affective politics of the site. It focuses on the Mezipatra Queer Film Festival, which is a film festival that takes place in the cities of Prague and Brno, Czech Republic. We differentiate between intentional subject-centred programming politics and de-subjectivated festival site politics. The film programme is created by a single organizing team and is the same for both cities. Still, the programme means different things to each of them. According to programming theories, we distinguish between films of traditional assimilationist, even homonormative, programming, and films of anti-identity queer programming. The different status of the two festival incarnations makes the former more appropriate for Brno, whereas the latter is more appropriate for Prague. Yet, in Brno, the assimilationist identity politics is turned into an autonomous community politics through the festival site. In Prague, the queer politics is turned into a politics of competition among art film festivals. Hence, we go beyond critiques of homonormative cinema as depoliticized and consumerist. The problem is not the difference between “better” queer programming and “worse” traditional programming. The problem lies in discerning site politics as shaping different screenings of the same films, whether they are homonormative or art-house queer films.
Návaznosti
| MUNI/A/1356/2019, interní kód MU |
|