A Constant Struggle for Freedom : Edward Albee in
Czechoslovakia and the Czech Republic

C 2023

A Constant Struggle for Freedom : Edward Albee in Czechoslovakia and the Czech Republic

KAČER, Tomáš

Základní údaje

Originální název

A Constant Struggle for Freedom : Edward Albee in Czechoslovakia and the Czech Republic

Autoři

KAČER, Tomáš (203 Česká republika, garant, domácí)

Vydání

Leiden, Albee Abroad, od s. 15-35, 21 s. New Perspectives in Edward Albee Studies, Volume: 5, 2023

Nakladatel

Brill

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60206 Specific literatures

Stát vydavatele

Nizozemské království

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

elektronická verze "online"

Odkazy

URL

Kód RIV

RIV/00216224:14210/23:00131258

Organizační jednotka

Filozofická fakulta

ISBN

978-90-04-54412-3

DOI

http://dx.doi.org/10.1163/9789004544130_003

Klíčová slova anglicky

Edward Albee; Czechoslovakia; absurdism; censorship

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 3. 3. 2024 11:53, Mgr. Pavla Martinková

Anotace

V originále

Czech productions of Edward Albee’s dramas have been a drama in themselves, revealingly aligned with crucial phases in the country’s political history. Who’s Afraid of Virginia Woolf? was first staged in Czechoslovakia in 1963, coinciding with the author’s visit to the country during rehearsals. Albee’s instant popularity among audiences ran parallel to an intense critical dispute over the nature of his writing. While one group of critics argued that the play was realist and critical of American values and thus prevented potential censorship, another welcomed Albee as a representative of the fresh, young, and progressive absurdist strain of theater reflecting a general thawing of the Communist regime in the country at the time. A second phase in Albee’s reception began with the Czech production of A Delicate Balance in 1969. That play, understood as a commentary on the 1968 Soviet invasion that effectively ended the Prague Spring, marked Albee as a problematic author for Czechoslovak censorship, a stigma that lasted until the end of the Communist regime in 1989. In the phase unfolding since then, Czech productions of Albee have seen continuous struggles over interpretation. The Czech “director’s theater” staging tradition led to a disregard of stage directions, prescribed scenography, and actors’ ages, thus shifting the plays’ message significantly. Through case studies of several landmark productions in Czechoslovakia and the Czech Republic, this chapter presents a history of Czech Albee productions and criticism as a constant struggle for freedom of various kinds: of interpretation, speech, and artistic expression.

Návaznosti

MUNI/A/1054/2022, interní kód MU

Název: Paradigms, strategies and developments - Anglophone literary and cultural studies III

Investor: Masarykova univerzita, Paradigms, strategies and developments - Anglophone literary and cultural studies III

Citovat

KAČER, Tomáš. A Constant Struggle for Freedom : Edward Albee in Czechoslovakia and the Czech Republic. Online. In Santana, Esther. Albee Abroad. Leiden: Brill, 2023, s. 15-35. New Perspectives in Edward Albee Studies, Volume: 5. ISBN 978-90-04-54412-3. Dostupné z: https://dx.doi.org/10.1163/9789004544130_003.

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   author = {Kačer, Tomáš},
   address = {Leiden},
   booktitle = {Albee Abroad},
   doi = {http://dx.doi.org/10.1163/9789004544130_003},
   editor = {Santana, Esther},
   keywords = {Edward Albee; Czechoslovakia; absurdism; censorship},
   howpublished = {elektronická verze "online"},
   language = {eng},
   location = {Leiden},
   isbn = {978-90-04-54412-3},
   pages = {15-35},
   publisher = {Brill},
   title = {A Constant Struggle for Freedom : Edward Albee in Czechoslovakia and the Czech Republic},
   url = {https://brill.com/display/title/64724?language=en},
   year = {2023}
}

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N2  - Czech productions of Edward Albee’s dramas have been a drama in themselves, revealingly aligned with crucial phases in the country’s political history. Who’s Afraid of Virginia Woolf? was first staged in Czechoslovakia in 1963, coinciding with the author’s visit to the country during rehearsals. Albee’s instant popularity among audiences ran parallel to an intense critical dispute over the nature of his writing. While one group of critics argued that the play was realist and critical of American values and thus prevented potential censorship, another welcomed Albee as a representative of the fresh, young, and progressive absurdist strain of theater reflecting a general thawing of the Communist regime in the country at the time. A second phase in Albee’s reception began with the Czech production of A Delicate Balance in 1969. That play, understood as a commentary on the 1968 Soviet invasion that effectively ended the Prague Spring, marked Albee as a problematic author for Czechoslovak censorship, a stigma that lasted until the end of the Communist regime in 1989. In the phase unfolding since then, Czech productions of Albee have seen continuous struggles over interpretation. The Czech “director’s theater” staging tradition led to a disregard of stage directions, prescribed scenography, and actors’ ages, thus shifting the plays’ message significantly. Through case studies of several landmark productions in Czechoslovakia and the Czech Republic, this chapter presents a history of Czech Albee productions and criticism as a constant struggle for freedom of various kinds: of interpretation, speech, and artistic expression.
ER  -

KAČER, Tomáš. A Constant Struggle for Freedom : Edward Albee in Czechoslovakia and the Czech Republic. Online. In Santana, Esther. \textit{Albee Abroad}. Leiden: Brill, 2023, s.~15-35. New Perspectives in Edward Albee Studies, Volume: 5. ISBN~978-90-04-54412-3. Dostupné z: https://dx.doi.org/10.1163/9789004544130\_{}003.

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