Marcela Pittermannová : Barrandov Dramaturges as Clients,
Brokers, and Patrons

C 2023

Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons

SKOPAL, Pavel a Michal ŠAŠEK

Základní údaje

Originální název

Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons

Autoři

SKOPAL, Pavel (203 Česká republika, garant, domácí) a Michal ŠAŠEK (203 Česká republika, domácí)

Vydání

Amsterdam, The Barrandov Studios : A Central European Hollywood, od s. 169-191, 23 s. Eastern European Screen Cultures, 2023

Nakladatel

Amsterdam University Press

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60405 Studies on Film, Radio and Television

Stát vydavatele

Nizozemské království

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Kód RIV

RIV/00216224:14210/23:00131868

Organizační jednotka

Filozofická fakulta

ISBN

978-94-6298-945-0

DOI

http://dx.doi.org/10.5117/9789462989450_ch05

Klíčová slova anglicky

state-socialist cinema; patronage; film production; Barrandov; film dramaturgy; structure and agency

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 18. 2. 2024 09:14, Mgr. Michal Večeřa, Ph.D.

Anotace

V originále

Marcela Pittermannová became a member of a creative group at Barrandov in 1961. After its previous head, Jan Procházka, was made persona non grata in 1970, the group was run by Ota Hofman until 1982, then by the writer Stanislav Rudolf from 1982 to 1984, and finally by Pittermannová until 1990. She was a dramaturge in the successful area of production for children for almost three decades. In effect, an analysis of her position, decisions, and negotiations in relation to both the indigenous bureaucracy and to foreign coproduction partners can help to understand dynamics of the structure-agency relationship at Barrandov since the 1960s to the end of state-socialist era. This chapter focuses on the role of clients, patrons, and brokers in the dramaturgical job to understand its dynamics and functions in the production system.

Návaznosti

MUNI/A/1391/2022, interní kód MU

Název: Setrvačnost a zlom v dějinách kinematografie

Investor: Masarykova univerzita, Setrvačnost a zlom v dějinách kinematografie

Citovat

SKOPAL, Pavel a Michal ŠAŠEK. Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons. In Herzogenrath, Bernd. The Barrandov Studios : A Central European Hollywood. Amsterdam: Amsterdam University Press, 2023, s. 169-191. Eastern European Screen Cultures. ISBN 978-94-6298-945-0. Dostupné z: https://dx.doi.org/10.5117/9789462989450_ch05.

@inbook{2323359,
   author = {Skopal, Pavel and Šašek, Michal},
   address = {Amsterdam},
   booktitle = {The Barrandov Studios : A Central European Hollywood},
   doi = {http://dx.doi.org/10.5117/9789462989450_ch05},
   editor = {Herzogenrath, Bernd},
   keywords = {state-socialist cinema; patronage; film production; Barrandov; film dramaturgy; structure and agency},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Amsterdam},
   isbn = {978-94-6298-945-0},
   pages = {169-191},
   publisher = {Amsterdam University Press},
   title = {Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons},
   url = {https://www.aup.nl/en/book/9789462989450/the-barrandov-studios#toc},
   year = {2023}
}

TY  - CHAP
ID  - 2323359
AU  - Skopal, Pavel - Šašek, Michal
PY  - 2023
TI  - Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons
VL  - Eastern European Screen Cultures
PB  - Amsterdam University Press
CY  - Amsterdam
SN  - 9789462989450
KW  - state-socialist cinema
KW  - patronage
KW  - film production
KW  - Barrandov
KW  - film dramaturgy
KW  - structure and agency
UR  - https://www.aup.nl/en/book/9789462989450/the-barrandov-studios#toc
N2  - Marcela Pittermannová became a member of a creative group at Barrandov in 1961. After its previous head, Jan Procházka, was made persona non grata in 1970, the group was run by Ota Hofman until 1982, then by the writer Stanislav Rudolf from 1982 to 1984, and finally by Pittermannová until 1990. She was a dramaturge in the successful area of production for children for almost three decades. In effect, an analysis of her position, decisions, and negotiations in relation to both the indigenous bureaucracy and to foreign coproduction partners can help to understand dynamics of the structure-agency relationship at Barrandov since the 1960s to the end of state-socialist era. This chapter focuses on the role of clients, patrons, and brokers in the dramaturgical job to understand its dynamics and functions in the production system.
ER  -

SKOPAL, Pavel a Michal ŠAŠEK. Marcela Pittermannová : Barrandov Dramaturges as Clients, Brokers, and Patrons. In Herzogenrath, Bernd. \textit{The Barrandov Studios : A Central European Hollywood}. Amsterdam: Amsterdam University Press, 2023, s.~169-191. Eastern European Screen Cultures. ISBN~978-94-6298-945-0. Dostupné z: https://dx.doi.org/10.5117/9789462989450\_{}ch05.

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