Cognitive Approach to Music Drama Analysis: multimodal
metaphors of love and death in Monteverdi’s lamento

k 2023

Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento

HAVLÍČKOVÁ KYSOVÁ, Šárka, Svitlana SHURMA a Wei-lun LU

Základní údaje

Originální název

Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento

Autoři

HAVLÍČKOVÁ KYSOVÁ, Šárka, Svitlana SHURMA a Wei-lun LU

Vydání

Cognitive Futures in the Arts and Humanities, 2023

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60403 Performing arts studies

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Organizační jednotka

Filozofická fakulta

Klíčová slova česky

divadlo; opera; teorie víceúrovňového kotvení významu (multilevel grounding); Mihailo Antović; konceptuální metafora; konceptuální integrace

Klíčová slova anglicky

theatre; opera; cognitive studies; conceptual metaphor; conceptual blending; multimodal metaphor; love; death

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 11. 4. 2024 12:18, doc. Mgr. Šárka Havlíčková Kysová, Ph.D.

Anotace

V originále

In our analysis we focus on the conflict between love and death, a typical motif expressed in lamento, one of the compositional parts of operas (Ossi 1996). Based on basic human situation of grief, lamento as a genre is considered rooted in this core dramatic situation and has become part and parcel of operas and music drama as genres of music theatre (Carter 2007). We analyse Claudio Monteverdi’s Lamento d’Arianna, a fragment of one of the first operas, as an example of both the genre of lamento itself and as a type of operatic situation within the lost opera L’Arianna. Based on the approach to opera as “the art of dying” (Hutcheon & Hutcheon 2004) we focus on the conceptualisation of love and death expressed in the conflicting situations composed both musically and dramatically in lamento style. Special attention is given to the question how the combination of two opposing themes creates conflict and form/influence the genre of opera. Our analytical approach to lamento is based on the Conceptual Metaphor and Blending Theories as approached within the field of cognitive analysis of music (see especially Zbikowski 2017a and 2017b or Pérez-Sobrino 2018) and the conception of deliberate metaphor in connection to attention and embodied simulation as introduced by Valentina Cuccio and Gerard Steen (2018, 2019). When analysing performance practice, we also draw on Barbara Dancygier's multimodal approach to theatre (2016).

Návaznosti

MUNI/A/1445/2022, interní kód MU

Název: Výzkum divadelní kultury v interdisciplinárních přesazích IV.

Investor: Masarykova univerzita, Výzkum divadelní kultury v interdisciplinárních přesazích IV.

Citovat

HAVLÍČKOVÁ KYSOVÁ, Šárka, Svitlana SHURMA a Wei-lun LU. Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento. In Cognitive Futures in the Arts and Humanities. 2023.

@proceedings{2356504,
   author = {Havlíčková Kysová, Šárka and Shurma, Svitlana and Lu, Weiandlun},
   booktitle = {Cognitive Futures in the Arts and Humanities},
   keywords = {theatre; opera; cognitive studies; conceptual metaphor; conceptual blending; multimodal metaphor; love; death},
   language = {eng},
   title = {Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento},
   year = {2023}
}

TY  - CONF
ID  - 2356504
AU  - Havlíčková Kysová, Šárka - Shurma, Svitlana - Lu, Wei-lun
PY  - 2023
TI  - Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento
KW  - theatre
KW  - opera
KW  - cognitive studies
KW  - conceptual metaphor
KW  - conceptual blending
KW  - multimodal metaphor
KW  - love
KW  - death
N2  - In our analysis we focus on the conflict between love and death, a typical motif expressed in lamento, one of the compositional parts of operas (Ossi 1996). Based on basic human situation of grief, lamento as a genre is considered rooted in this core dramatic situation and has become part and parcel of operas and music drama as genres of music theatre (Carter 2007). We analyse Claudio Monteverdi’s Lamento d’Arianna, a fragment of one of the first operas, as an example of both the genre of lamento itself and as a type of operatic situation within the lost opera L’Arianna. Based on the approach to opera as “the art of dying” (Hutcheon & Hutcheon 2004) we focus on the conceptualisation of love and death expressed in the conflicting situations composed both musically and dramatically in lamento style. Special attention is given to the question how the combination of two opposing themes creates conflict and form/influence the genre of opera. Our analytical approach to lamento is based on the Conceptual Metaphor and Blending Theories as approached within the field of cognitive analysis of music (see especially Zbikowski 2017a and 2017b or Pérez-Sobrino 2018) and the conception of deliberate metaphor in connection to attention and embodied simulation as introduced by Valentina Cuccio and Gerard Steen (2018, 2019). When analysing performance practice, we also draw on Barbara Dancygier's multimodal approach to theatre (2016).
ER  -

HAVLÍČKOVÁ KYSOVÁ, Šárka, Svitlana SHURMA a Wei-lun LU. Cognitive Approach to Music Drama Analysis: multimodal metaphors of love and death in Monteverdi’s lamento. In \textit{Cognitive Futures in the Arts and Humanities}. 2023.

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