Cinema-going in German-occupied Territory in the Second World
War : The Impact of Film Market Regulations on Supply and
Demand in Brno, Brussels, Krakow and The Hague

C 2024

Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

SKOPAL, Pavel; Terézia PORUBČANSKÁ; Clara PAFORT-OVERDUIN; Thunnis VAN OORT; Andrzej DĘBSKI et al.

Základní údaje

Originální název

Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

Autoři

SKOPAL, Pavel; Terézia PORUBČANSKÁ; Clara PAFORT-OVERDUIN; Thunnis VAN OORT; Andrzej DĘBSKI; Roel VANDE WINKEL a Karina PRYT

Vydání

Cham, The Palgrave Handbook of Comparative New Cinema Histories, od s. 307-331, 25 s. 2024

Nakladatel

Palgrave Macmillan

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60405 Studies on Film, Radio and Television

Stát vydavatele

Švýcarsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/24:00135394

Organizační jednotka

Filozofická fakulta

ISBN

978-3-031-38788-3

DOI

https://doi.org/10.1007/978-3-031-38789-0_15

EID Scopus

2-s2.0-85206671687

Klíčová slova anglicky

Film consumption; Cinema-going practices; New Cinema History; Film programming; Audience studies; Film distribution; Occupation; World War II

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 4. 4. 2025 11:14, Mgr. et Mgr. Stanislav Hasil, Ph.D.

Anotace

V originále

This chapter analyses the effects of the policies of the Nazi regime on film supply and demand in four cities in four countries during the Second World War: Brussels (Belgium), The Hague (the Netherlands), Krakow (Poland) and Brno (Czechoslovakia, Protectorate of Bohemia and Moravia). We show that even though the German occupiers completely controlled film exhibition, distribution and production, still regulations and practices were somewhat geared to national and local cultures and film preferences. In Brussels, this meant that a large portion of French films could still be shown, and in Brno it meant that domestic production could maintain a relatively high output. In the Netherlands, German films obtained a virtual monopoly position. They had been popular from before the war, and this trend continued during the occupation. In Poland German films dominated as well, but the Krakow audiences stayed away when only German films were offered in the cinemas.

Návaznosti

MUNI/A/1567/2023, interní kód MU

Název: Kinematografie a audiovizuální průmysly jako produkční kultury

Investor: Masarykova univerzita, Kinematografie a audiovizuální průmysly jako produkční kultury

Citovat

SKOPAL, Pavel; Terézia PORUBČANSKÁ; Clara PAFORT-OVERDUIN; Thunnis VAN OORT; Andrzej DĘBSKI; Roel VANDE WINKEL a Karina PRYT. Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague. In Treveri Gennari, Daniela; Van de Vijver, Lies; Ercole, Pierluigi. The Palgrave Handbook of Comparative New Cinema Histories. Cham: Palgrave Macmillan, 2024, s. 307-331. ISBN 978-3-031-38788-3. Dostupné z: https://doi.org/10.1007/978-3-031-38789-0_15.

@inbook{2365431,
   author = {Skopal, Pavel and Porubčanská, Terézia and PafortandOverduin, Clara and van Oort, Thunnis and Dębski, Andrzej and Vande Winkel, Roel and Pryt, Karina},
   address = {Cham},
   booktitle = {The Palgrave Handbook of Comparative New Cinema Histories},
   doi = {https://doi.org/10.1007/978-3-031-38789-0_15},
   editor = {Treveri Gennari, Daniela; Van de Vijver, Lies; Ercole, Pierluigi},
   keywords = {Film consumption; Cinema-going practices; New Cinema History; Film programming; Audience studies; Film distribution; Occupation; World War II},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Cham},
   isbn = {978-3-031-38788-3},
   pages = {307-331},
   publisher = {Palgrave Macmillan},
   title = {Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague},
   year = {2024}
}

TY  - CHAP
ID  - 2365431
AU  - Skopal, Pavel - Porubčanská, Terézia - Pafort-Overduin, Clara - van Oort, Thunnis - Dębski, Andrzej - Vande Winkel, Roel - Pryt, Karina
PY  - 2024
TI  - Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague
VL  - Neuveden
PB  - Palgrave Macmillan
CY  - Cham
SN  - 9783031387883
KW  - Film consumption
KW  - Cinema-going practices
KW  - New Cinema History
KW  - Film programming
KW  - Audience studies
KW  - Film distribution
KW  - Occupation
KW  - World War II
N2  - This chapter analyses the effects of the policies of the Nazi regime on film supply and demand in four cities in four countries during the Second World War: Brussels (Belgium), The Hague (the Netherlands), Krakow (Poland) and Brno (Czechoslovakia, Protectorate of Bohemia and Moravia). We show that even though the German occupiers completely controlled film exhibition, distribution and production, still regulations and practices were somewhat geared to national and local cultures and film preferences. In Brussels, this meant that a large portion of French films could still be shown, and in Brno it meant that domestic production could maintain a relatively high output. In the Netherlands, German films obtained a virtual monopoly position. They had been popular from before the war, and this trend continued during the occupation. In Poland German films dominated as well, but the Krakow audiences stayed away when only German films were offered in the cinemas.
ER  -

SKOPAL, Pavel; Terézia PORUBČANSKÁ; Clara PAFORT-OVERDUIN; Thunnis VAN OORT; Andrzej DĘBSKI; Roel VANDE WINKEL a Karina PRYT. Cinema-going in German-occupied Territory in the Second World War : The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague. In Treveri Gennari, Daniela; Van de Vijver, Lies; Ercole, Pierluigi. \textit{The Palgrave Handbook of Comparative New Cinema Histories}. Cham: Palgrave Macmillan, 2024, s.~307-331. ISBN~978-3-031-38788-3. Dostupné z: https://doi.org/10.1007/978-3-031-38789-0\_{}15.

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