J 2023

Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages

KRAJNÍK, Filip a Ivona MIŠTEROVÁ

Základní údaje

Originální název

Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages

Autoři

KRAJNÍK, Filip a Ivona MIŠTEROVÁ

Vydání

Multicultural Shakespeare : Translation, Appropriation and Performance, Lodz, Lodz University Press, 2023, 2083-8530

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60206 Specific literatures

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Impakt faktor

Impact factor: 0.000

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/23:00136559

Organizační jednotka

Filozofická fakulta

EID Scopus

Klíčová slova anglicky

Christopher Marlowe; Edward II; Czech Republic; Slovenia; Diego de Brea; Jakub Čermák; Elizabethan theatre; LGBT theatre; queer theatre

Štítky

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 30. 7. 2025 14:36, Mgr. Michal Petr

Anotace

V originále

The present article outlines the stage history of Christopher Marlowe’s history Edward II on Czech stages, focusing chiefly on how the respective directors approached the titular character of Marlowe’s play and his sexuality. The study focuses on two post-2000 productions of the play: Diego de Brea’s Edvard Drugy for the Slovenian National Theatre, which toured to the 16th “Divadlo” International Theatre Festival in Pilsen, West Bohemia, in 2008; and Jakub Čermák’s production of Edvard II. for the independent Czech theatre company “Depresivní děti touží po penězích” (Depressive Children Yearn for Money) that premiered in 2023 in Prague. Since for both Czechs and Slovenians, King Edward II is a minor figure of English history and Elizabethan history plays are generally less appealing to them than other genres, both the directors sideline the political dimension of the story to fully explore the issue of social and sexual norms and relate it to current social and cultural discussions both in the West and the former Eastern Bloc. Stressing the motif of social and sexual otherness even more bravely than most recent Western productions, de Brea and Čermák offered not only valuable contributions to both local and global reception of Marlowe’s Edward II, but also raised the visibility of LGBT theatre in a region where it has only a modest history and tradition.

Návaznosti

MUNI/A/1054/2022, interní kód MU
Název: Paradigms, strategies and developments - Anglophone literary and cultural studies III
Investor: Masarykova univerzita, Paradigms, strategies and developments - Anglophone literary and cultural studies III