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@article{2419077, author = {Krajník, Filip and Mišterová, Ivona}, article_location = {POLAND}, article_number = {43}, doi = {http://dx.doi.org/10.18778/2083-8530.28.12}, keywords = {Christopher Marlowe; Edward II; Czech Republic; Slovenia; Diego de Brea; Jakub Čermák; Elizabethan theatre; LGBT theatre; queer theatre}, language = {eng}, issn = {2083-8530}, journal = {Multicultural Shakespeare: Translation, Appropriation and Performance}, title = {Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages}, url = {https://www.czasopisma.uni.lodz.pl/szekspir/article/view/23096}, volume = {28}, year = {2023} }
TY - JOUR ID - 2419077 AU - Krajník, Filip - Mišterová, Ivona PY - 2023 TI - Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages JF - Multicultural Shakespeare: Translation, Appropriation and Performance VL - 28 IS - 43 SP - 227-243 EP - 227-243 PB - LODZ UNIV PRESS SN - 20838530 KW - Christopher Marlowe KW - Edward II KW - Czech Republic KW - Slovenia KW - Diego de Brea KW - Jakub Čermák KW - Elizabethan theatre KW - LGBT theatre KW - queer theatre UR - https://www.czasopisma.uni.lodz.pl/szekspir/article/view/23096 N2 - The present article outlines the stage history of Christopher Marlowe’s history Edward II on Czech stages, focusing chiefly on how the respective directors approached the titular character of Marlowe’s play and his sexuality. The study focuses on two post-2000 productions of the play: Diego de Brea’s Edvard Drugy for the Slovenian National Theatre, which toured to the 16th “Divadlo” International Theatre Festival in Pilsen, West Bohemia, in 2008; and Jakub Čermák’s production of Edvard II. for the independent Czech theatre company “Depresivní děti touží po penězích” (Depressive Children Yearn for Money) that premiered in 2023 in Prague. Since for both Czechs and Slovenians, King Edward II is a minor figure of English history and Elizabethan history plays are generally less appealing to them than other genres, both the directors sideline the political dimension of the story to fully explore the issue of social and sexual norms and relate it to current social and cultural discussions both in the West and the former Eastern Bloc. Stressing the motif of social and sexual otherness even more bravely than most recent Western productions, de Brea and Čermák offered not only valuable contributions to both local and global reception of Marlowe’s Edward II, but also raised the visibility of LGBT theatre in a region where it has only a modest history and tradition. ER -
KRAJNÍK, Filip a Ivona MIŠTEROVÁ. Passion and Politics in Diego de Brea and Jakub Čermák’s ''Edward II'' : Marlowe’s Controversial History on Czech Stages. \textit{Multicultural Shakespeare: Translation, Appropriation and Performance}. POLAND: LODZ UNIV PRESS, 2023, roč.~28, č.~43, s.~227-243. ISSN~2083-8530. Dostupné z: https://dx.doi.org/10.18778/2083-8530.28.12.
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