2023
Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages
KRAJNÍK, Filip a Ivona MIŠTEROVÁZákladní údaje
Originální název
Passion and Politics in Diego de Brea and Jakub Čermák’s "Edward II" : Marlowe’s Controversial History on Czech Stages
Autoři
KRAJNÍK, Filip a Ivona MIŠTEROVÁ
Vydání
Multicultural Shakespeare : Translation, Appropriation and Performance, Lodz, Lodz University Press, 2023, 2083-8530
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
60206 Specific literatures
Stát vydavatele
Polsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 0.000
Označené pro přenos do RIV
Ano
Kód RIV
RIV/00216224:14210/23:00136559
Organizační jednotka
Filozofická fakulta
UT WoS
EID Scopus
Klíčová slova anglicky
Christopher Marlowe; Edward II; Czech Republic; Slovenia; Diego de Brea; Jakub Čermák; Elizabethan theatre; LGBT theatre; queer theatre
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 30. 7. 2025 14:36, Mgr. Michal Petr
Anotace
V originále
The present article outlines the stage history of Christopher Marlowe’s history Edward II on Czech stages, focusing chiefly on how the respective directors approached the titular character of Marlowe’s play and his sexuality. The study focuses on two post-2000 productions of the play: Diego de Brea’s Edvard Drugy for the Slovenian National Theatre, which toured to the 16th “Divadlo” International Theatre Festival in Pilsen, West Bohemia, in 2008; and Jakub Čermák’s production of Edvard II. for the independent Czech theatre company “Depresivní děti touží po penězích” (Depressive Children Yearn for Money) that premiered in 2023 in Prague. Since for both Czechs and Slovenians, King Edward II is a minor figure of English history and Elizabethan history plays are generally less appealing to them than other genres, both the directors sideline the political dimension of the story to fully explore the issue of social and sexual norms and relate it to current social and cultural discussions both in the West and the former Eastern Bloc. Stressing the motif of social and sexual otherness even more bravely than most recent Western productions, de Brea and Čermák offered not only valuable contributions to both local and global reception of Marlowe’s Edward II, but also raised the visibility of LGBT theatre in a region where it has only a modest history and tradition.
Návaznosti
| MUNI/A/1054/2022, interní kód MU |
|