The Unique Museum Complex Dunhuang and Its Influence on Chinese
Architecture and Art

D 2024

The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art

WANG, Shiru; Andrei Victor SANDU; Aneta PAWLOWSKA; Pavol TIŠLIAR; Marek PABICH et al.

Základní údaje

Originální název

The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art

Autoři

WANG, Shiru; Andrei Victor SANDU; Aneta PAWLOWSKA; Pavol TIŠLIAR ; Marek PABICH a Oleksandr IVASHKO

Vydání

1. vyd. Wrocław, DEFINING THE ARCHITECTURAL SPACE ARCHITECTURE AND TECHNOLOGY, vol. 2, od s. 101-115, 15 s. 2024

Nakladatel

Oficyna Wydawnicza ATUT

Další údaje

Jazyk

angličtina

Typ výsledku

Stať ve sborníku

Obor

60101 History

Stát vydavatele

Polsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

elektronická verze "online"

Odkazy

link na obsah publikácie, link na príspevok

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/24:00137844

Organizační jednotka

Filozofická fakulta

ISBN

978-83-7977-849-2

DOI

https://doi.org/10.23817/2024.defarch.2-9

Klíčová slova anglicky

national identity; external influences; architecture; temple complex; Dunhuang

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 4. 4. 2025 14:42, Mgr. Pavla Martinková

Anotace

V originále

In the Dunhuang mural painting, the development of the figurative concept took place from the direct borrowing of the Indian Buddhist figurative concept at an early stage to the gradual appearance of local layering and other external borrowings (such as the concepts of Tibetan Buddhism during the reign of the foreign dynasties Xi Xia and Yuan), resulting in the canonical mural painting gradually moving away from the Indian canons of Buddhist frescoes, elements of local Taoism and mythological subjects appeared in it. These processes took place against the background of the general development of Dunhuang mural painting from greater primitivism, direct borrowing of ancient Indian fresco techniques and symbolism to the improvement and complication of images and fresco execution techniques, from convention to realism, from the addition of religious and mythological subjects with portraits of founders, historical scenes and landscapes. The local painting techniques of the Central Plains of China had a strong influence.

Citovat

WANG, Shiru; Andrei Victor SANDU; Aneta PAWLOWSKA; Pavol TIŠLIAR; Marek PABICH a Oleksandr IVASHKO. The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art. Online. In Kozłowski, Tomasz. DEFINING THE ARCHITECTURAL SPACE ARCHITECTURE AND TECHNOLOGY, vol. 2. 1. vyd. Wrocław: Oficyna Wydawnicza ATUT, 2024, s. 101-115. ISBN 978-83-7977-849-2. Dostupné z: https://doi.org/10.23817/2024.defarch.2-9.

@inproceedings{2456642,
   author = {Wang, Shiru and Sandu, Andrei Victor and Pawlowska, Aneta and Tišliar, Pavol and Pabich, Marek and Ivashko, Oleksandr},
   address = {Wrocław},
   booktitle = {DEFINING THE ARCHITECTURAL SPACE ARCHITECTURE AND TECHNOLOGY, vol. 2},
   doi = {https://doi.org/10.23817/2024.defarch.2-9},
   edition = {1},
   editor = {Kozłowski, Tomasz},
   keywords = {national identity; external influences; architecture; temple complex; Dunhuang},
   howpublished = {elektronická verze "online"},
   language = {eng},
   location = {Wrocław},
   isbn = {978-83-7977-849-2},
   pages = {101-115},
   publisher = {Oficyna Wydawnicza ATUT},
   title = {The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art},
   url = {https://dpa.arch.pk.edu.pl/wp-content/uploads/Defining-Architectural-Space-2024-2-edit.pdf},
   year = {2024}
}

TY  - CONF
ID  - 2456642
AU  - Wang, Shiru - Sandu, Andrei Victor - Pawlowska, Aneta - Tišliar, Pavol - Pabich, Marek - Ivashko, Oleksandr
PY  - 2024
TI  - The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art
PB  - Oficyna Wydawnicza ATUT
CY  - Wrocław
SN  - 9788379778492
KW  - national identity
KW  - external influences
KW  - architecture
KW  - temple complex
KW  - Dunhuang
UR  - https://dpa.arch.pk.edu.pl/wp-content/uploads/Defining-Architectural-Space-2024-2-edit.pdf
N2  - In the Dunhuang mural painting, the development of the figurative concept took place from the direct borrowing of the Indian Buddhist figurative concept at an early stage to the gradual appearance of local layering and other external borrowings (such as the concepts of Tibetan Buddhism during the reign of the foreign dynasties Xi Xia and Yuan), resulting in the canonical mural painting gradually moving away from the Indian canons of Buddhist frescoes, elements of local Taoism and mythological subjects appeared in it. These processes took place against the background of the general development of Dunhuang mural painting from greater primitivism, direct borrowing of ancient Indian fresco techniques and symbolism to the improvement and complication of images and fresco execution techniques, from convention to realism, from the addition of religious and mythological subjects with portraits of founders, historical scenes and landscapes. The local painting techniques of the Central Plains of China had a strong influence.
ER  -

WANG, Shiru; Andrei Victor SANDU; Aneta PAWLOWSKA; Pavol TIŠLIAR; Marek PABICH a Oleksandr IVASHKO. The Unique Museum Complex Dunhuang and Its Influence on Chinese Architecture and Art. Online. In Kozłowski, Tomasz. \textit{DEFINING THE ARCHITECTURAL SPACE ARCHITECTURE AND TECHNOLOGY, vol. 2}. 1. vyd. Wrocław: Oficyna Wydawnicza ATUT, 2024, s.~101-115. ISBN~978-83-7977-849-2. Dostupné z: https://doi.org/10.23817/2024.defarch.2-9.

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