Russian Imperialism and Byzantium (1801–2023) : Architecture,
Visual Culture, and Scholarship

C 2024

Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship

FOLETTI, Ivan

Základní údaje

Originální název

Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship

Autoři

FOLETTI, Ivan (203 Česká republika, garant, domácí)

Vydání

Berlin, Medieval Art, Modern Politics, od s. 31-57, 27 s. Sense, Matter, and Medium, 11, 2024

Nakladatel

De Gruyter

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Německo

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

URL

Kód RIV

RIV/00216224:14210/24:00137852

Organizační jednotka

Filozofická fakulta

ISBN

978-3-11-143681-4

DOI

http://dx.doi.org/10.1515/9783111436821-002

Klíčová slova anglicky

Russian Imperialism; Art; Architecture; USSR; Scholarship; Napoleon; Putin; Stalin

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 12. 3. 2025 15:24, Mgr. et Mgr. Stanislav Hasil

Anotace

V originále

The aim of this essay is toreflect on the nature and meaning of the Byzantine and Russian medieval visual legacies in czarist imperialism in the nineteenth century. It then discusses the SovietUnion’s use of similar visual strategies (in a completely opposite ideological vein) before turning to the (mis)appropriation of the past in contemporary Russia. Throughout, Moscow’s Cathedral of Christ the Savior, a building most emblematic of Russianimperialism, will serve as a unifying point. Built, destroyed, and rebuilt over the lasttwo centuries, this monument is a true barometer of the use (and abuse) of the pastby Russian and Soviet regimes

Citovat

FOLETTI, Ivan. Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship. In Buettner, Brigitte; Diebold, William J. Medieval Art, Modern Politics. Berlin: De Gruyter, 2024, s. 31-57. Sense, Matter, and Medium, 11. ISBN 978-3-11-143681-4. Dostupné z: https://dx.doi.org/10.1515/9783111436821-002.

@inbook{2456909,
   author = {Foletti, Ivan},
   address = {Berlin},
   booktitle = {Medieval Art, Modern Politics},
   doi = {http://dx.doi.org/10.1515/9783111436821-002},
   editor = {Buettner, Brigitte; Diebold, William J.},
   keywords = {Russian Imperialism; Art; Architecture; USSR; Scholarship; Napoleon; Putin; Stalin},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {Berlin},
   isbn = {978-3-11-143681-4},
   pages = {31-57},
   publisher = {De Gruyter},
   title = {Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship},
   url = {https://www.degruyter.com/document/doi/10.1515/9783111436821-002/html},
   year = {2024}
}

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ID  - 2456909
AU  - Foletti, Ivan
PY  - 2024
TI  - Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship
VL  - Sense, Matter, and Medium, 11
PB  - De Gruyter
CY  - Berlin
SN  - 9783111436814
KW  - Russian Imperialism
KW  - Art
KW  - Architecture
KW  - USSR
KW  - Scholarship
KW  - Napoleon
KW  - Putin
KW  - Stalin
UR  - https://www.degruyter.com/document/doi/10.1515/9783111436821-002/html
N2  - The aim of this essay is toreflect on the nature and meaning of the Byzantine and Russian medieval visual legacies in czarist imperialism in the nineteenth century. It then discusses the SovietUnion’s use of similar visual strategies (in a completely opposite ideological vein) before turning to the (mis)appropriation of the past in contemporary Russia. Throughout, Moscow’s Cathedral of Christ the Savior, a building most emblematic of Russianimperialism, will serve as a unifying point. Built, destroyed, and rebuilt over the lasttwo centuries, this monument is a true barometer of the use (and abuse) of the pastby Russian and Soviet regimes
ER  -

FOLETTI, Ivan. Russian Imperialism and Byzantium (1801–2023) : Architecture, Visual Culture, and Scholarship. In Buettner, Brigitte; Diebold, William J. \textit{Medieval Art, Modern Politics}. Berlin: De Gruyter, 2024, s.~31-57. Sense, Matter, and Medium, 11. ISBN~978-3-11-143681-4. Dostupné z: https://dx.doi.org/10.1515/9783111436821-002.

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