A Byzantine Century : Reassessing Neo-Byzantine Style from
Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)

M 2024

A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)

PALLADINO, Adrien; Annalisa MORASCHI a Jan GALETA

Základní údaje

Originální název

A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)

Autoři

PALLADINO, Adrien; Annalisa MORASCHI a Jan GALETA

Vydání

2024

Další údaje

Jazyk

angličtina

Typ výsledku

Uspořádání konference

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

poster/program

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/24:00139655

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

Neo-Byzantine; Byzantium; Medievalism; Architecture; Style; Architectural Historicism; Transnational; 19th-Century Architecture; Cultural Exchange; Colonialism;;

Štítky

rivok

Změněno: 12. 3. 2025 17:51, Mgr. et Mgr. Stanislav Hasil, Ph.D.

Anotace

V originále

The Neo-Byzantine revival of the 19th century emerged as a multifaceted and ideologically charged architectural phenomenon, reflecting diverse cultural, political, and religious agendas across Europe, North Africa, and West Asia. From expressions of continuity with Byzantine Orthodoxy in Russia to its use as a tool of colonial dominance in French Algeria, the style was deployed to serve varying narratives. In Austria-Hungary, it shaped national and religious identities in contested regions like Dalmatia, while in Britain, it influenced the Arts & Crafts movement. Similarly, Neo-Byzantine aesthetics informed ecclesiastical, secular, and even interfaith architecture, demonstrating its versatility and ideological reach. This conference reexamined the term “Neo-Byzantine” as a product of historicist eclecticism shaped by evolving periodizations and orientalist frameworks. It explored the interplay between art historical theory, architectural practice, and patronage, emphasizing how the style was instrumental in identity formation, nation-building, and colonial enterprises during the 19th and early 20th centuries. Through diverse case studies, the event underscored the enduring complexities and global impact of the Byzantine revival.

Návaznosti

GA24-10991S, projekt VaV

Název: Sny o Byzanci ve Francii 19. století: novobyzantská architektura, orientalismus a rasové a národní mýty dějin umění (1848–1900)

Investor: Grantová agentura ČR, Sny o Byzanci ve Francii 19. století: novobyzantská architektura, orientalismus a rasové a národní mýty dějin umění (1848–1900)

Citovat

PALLADINO, Adrien; Annalisa MORASCHI a Jan GALETA. A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920). 2024.

@proceedings{2462667,
   author = {Palladino, Adrien and Moraschi, Annalisa and Galeta, Jan},
   keywords = {Neo-Byzantine; Byzantium; Medievalism; Architecture; Style; Architectural Historicism; Transnational; 19th-Century Architecture; Cultural Exchange; Colonialism;;},
   language = {eng},
   title = {A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)},
   url = {https://www.academia.edu/125198539/A_Byzantine_Century_Reassessing_Neo_Byzantine_Style_from_Paris_to_Algiers_to_Tiflis_and_Beyond_ca_1800_1920_},
   year = {2024}
}

TY  - CONF
ID  - 2462667
AU  - Palladino, Adrien - Moraschi, Annalisa - Galeta, Jan
PY  - 2024
TI  - A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)
KW  - Neo-Byzantine
KW  - Byzantium
KW  - Medievalism
KW  - Architecture
KW  - Style
KW  - Architectural Historicism
KW  - Transnational
KW  - 19th-Century Architecture
KW  - Cultural Exchange
KW  - Colonialism;;
UR  - https://www.academia.edu/125198539/A_Byzantine_Century_Reassessing_Neo_Byzantine_Style_from_Paris_to_Algiers_to_Tiflis_and_Beyond_ca_1800_1920_
N2  - The Neo-Byzantine revival of the 19th century emerged as a multifaceted and ideologically charged architectural phenomenon, reflecting diverse cultural, political, and religious agendas across Europe, North Africa, and West Asia. From expressions of continuity with Byzantine Orthodoxy in Russia to its use as a tool of colonial dominance in French Algeria, the style was deployed to serve varying narratives. In Austria-Hungary, it shaped national and religious identities in contested regions like Dalmatia, while in Britain, it influenced the Arts & Crafts movement. Similarly, Neo-Byzantine aesthetics informed ecclesiastical, secular, and even interfaith architecture, demonstrating its versatility and ideological reach. This conference reexamined the term “Neo-Byzantine” as a product of historicist eclecticism shaped by evolving periodizations and orientalist frameworks. It explored the interplay between art historical theory, architectural practice, and patronage, emphasizing how the style was instrumental in identity formation, nation-building, and colonial enterprises during the 19th and early 20th centuries. Through diverse case studies, the event underscored the enduring complexities and global impact of the Byzantine revival.
ER  -

PALLADINO, Adrien; Annalisa MORASCHI a Jan GALETA. \textit{A Byzantine Century : Reassessing Neo-Byzantine Style from Paris to Algiers to Tiflis, and Beyond (ca. 1800–1920)}. 2024.

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