Endangered Heart : Image Schemas as the Organising  Principle
of Direction-scenographic  Concept for the Brno Production  of
Händel’s Alcina

J 2024

Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina

HAVLÍČKOVÁ KYSOVÁ, Šárka

Základní údaje

Originální název

Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina

Autoři

HAVLÍČKOVÁ KYSOVÁ, Šárka

Vydání

Divadelni Revue, Praha, Institut umění – Divadelní ústav, 2024, 0862-5409

Další údaje

Jazyk

angličtina

Typ výsledku

Článek v odborném periodiku

Obor

60403 Performing arts studies

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Odkazy

URL

Označené pro přenos do RIV

Ano

Kód RIV

RIV/00216224:14210/24:00138410

Organizační jednotka

Filozofická fakulta

DOI

https://doi.org/10.62851/35.2024.2.04

EID Scopus

2-s2.0-85215368792

Klíčová slova anglicky

Scenography; Multimodality; Image Schemas; Opera; Cognitive Theatre Studies; Händel’s Alcina; Cross-modal mapping; Cross modal correspondence

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 4. 3. 2025 11:21, Mgr. Pavla Martinková

Anotace

V originále

This paper explores the role of scenography in the meaning-making process in operatic performances, particularly focusing on the 2022 Brno production of Händel’s Alcina directed by Jiří Heřman. The study employs methodology from cognitive science, specifically image schemas and multimodality, to analyse how scenography interacts with other modalities like music and text to create a cohesive theatrical experience. T he paper argues that image schemas are central to organising the perceptual and conceptual structures that convey emotions, particularly in the lamento aria “Ah! mio cor.” The scenography’s spatial elements are shown to enhance the emotional intensity and thematic depth of the opera, highlighting the significance of cross-modal mappings or correspondences in the audience’s perception and interpretation.

Návaznosti

MUNI/A/1562/2023, interní kód MU

Název: Aktuální výzvy divadelních studií

Investor: Masarykova univerzita, Aktuální výzvy divadelních studií

Citovat

HAVLÍČKOVÁ KYSOVÁ, Šárka. Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina. Divadelni Revue. Praha: Institut umění – Divadelní ústav, 2024, roč. 35, č. 2, s. 65-89. ISSN 0862-5409. Dostupné z: https://doi.org/10.62851/35.2024.2.04.

@article{2466546,
   author = {Havlíčková Kysová, Šárka},
   article_location = {Praha},
   article_number = {2},
   doi = {https://doi.org/10.62851/35.2024.2.04},
   keywords = {Scenography; Multimodality; Image Schemas; Opera; Cognitive Theatre Studies; Händel’s Alcina; Cross-modal mapping; Cross modal correspondence},
   language = {eng},
   issn = {0862-5409},
   journal = {Divadelni Revue},
   title = {Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina},
   url = {https://kramerius.idu.cz/view/uuid:a0c7efcc-08a9-4092-a2cb-4eeb3850abb0?article=uuid:8bb1d371-6004-4e95-8e1b-21e7e9481fd6},
   volume = {35},
   year = {2024}
}

TY  - JOUR
ID  - 2466546
AU  - Havlíčková Kysová, Šárka
PY  - 2024
TI  - Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina
JF  - Divadelni Revue
VL  - 35
IS  - 2
SP  - 65-89
EP  - 65-89
PB  - Institut umění – Divadelní ústav
SN  - 08625409
KW  - Scenography
KW  - Multimodality
KW  - Image Schemas
KW  - Opera
KW  - Cognitive Theatre Studies
KW  - Händel’s Alcina
KW  - Cross-modal mapping
KW  - Cross modal correspondence
UR  - https://kramerius.idu.cz/view/uuid:a0c7efcc-08a9-4092-a2cb-4eeb3850abb0?article=uuid:8bb1d371-6004-4e95-8e1b-21e7e9481fd6
N2  - This paper explores the role of scenography in the meaning-making process in operatic performances, particularly focusing on the 2022 Brno production of Händel’s Alcina directed by Jiří Heřman. The study employs methodology from cognitive science, specifically image schemas and multimodality, to analyse how scenography interacts with other modalities like music and text to create a cohesive theatrical experience. T he paper argues that image schemas are central to organising the perceptual and conceptual structures that convey emotions, particularly in the lamento aria “Ah! mio cor.” The scenography’s spatial elements are shown to enhance the emotional intensity and thematic depth of the opera, highlighting the significance of cross-modal mappings or correspondences in the audience’s perception and interpretation.
ER  -

HAVLÍČKOVÁ KYSOVÁ, Šárka. Endangered Heart : Image Schemas as the Organising Principle of Direction-scenographic Concept for the Brno Production of Händel’s Alcina. \textit{Divadelni Revue}. Praha: Institut umění – Divadelní ústav, 2024, roč.~35, č.~2, s.~65-89. ISSN~0862-5409. Dostupné z: https://doi.org/10.62851/35.2024.2.04.

Přehled o publikaci