Ethical, cultural and material aspects of mobility for the
contemporary Czech avant-garde art through the Iron Curtain
during the late socialism

p 2025

Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism

RUSINKO, Marcela

Základní údaje

Originální název

Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism

Autoři

RUSINKO, Marcela

Vydání

Challenges and Perspectives for Researching the History of European Art Collections in the 20th Century. International networking workshop organized by Department of Art History, Masaryk university Brno and France Stele Institute of Art History ZRC SAZU Ljubljana 4. 3. 2025, Getty library, Faculty of Arts, Brno. 2025

Další údaje

Jazyk

angličtina

Typ výsledku

Vyžádané přednášky

Obor

60401 Arts, Art history

Stát vydavatele

Česká republika

Utajení

není předmětem státního či obchodního tajemství

Označené pro přenos do RIV

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

material culture; mobility of cultural assets in 20th century; Czechoslovakia; ArtCentrum; contemporary art collecting after WWII

Příznaky

Mezinárodní význam

Změněno: 5. 3. 2025 13:54, Mgr. Ing. Marcela Rusinko, Ph.D.

Anotace

V originále

The mobility of Czech avant-garde art under late socialism was strictly regulated, yet the late 1960s saw the rise of private collections of nonconformist art. Built on personal ties rather than institutional support, these collections became symbolic "inner spaces of freedom." International transfers behind the Iron Curtain, however, were tightly controlled by ArtCentrum, the state enterprise managing Czech art sales in the West. Direct artistic ties abroad, mainly to German- and Italian-speaking regions, were rare and often relied on émigré networks. Even these connections usually required state approval, limiting independent artistic exchange. What were the ethical and material aspects of this sporadic cultural mobility of contemporary Czech avant-garde art to the hands of collectors and gallerists situated in the West?

Citovat

RUSINKO, Marcela. Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism. In Challenges and Perspectives for Researching the History of European Art Collections in the 20th Century. International networking workshop organized by Department of Art History, Masaryk university Brno and France Stele Institute of Art History ZRC SAZU Ljubljana 4. 3. 2025, Getty library, Faculty of Arts, Brno. 2025.

@misc{2481850,
   author = {Rusinko, Marcela},
   booktitle = {Challenges and Perspectives for Researching the History of European Art Collections in the 20th Century. International networking workshop organized by Department of Art History, Masaryk university Brno and France Stele Institute of Art History ZRC SAZU Ljubljana 4. 3. 2025, Getty library, Faculty of Arts, Brno.},
   keywords = {material culture; mobility of cultural assets in 20th century; Czechoslovakia; ArtCentrum; contemporary art collecting after WWII},
   language = {eng},
   title = {Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism},
   year = {2025}
}

TY  - SLIDE
ID  - 2481850
AU  - Rusinko, Marcela
PY  - 2025
TI  - Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism
KW  - material culture
KW  - mobility of cultural assets in 20th century
KW  - Czechoslovakia
KW  - ArtCentrum
KW  - contemporary art collecting after WWII
N2  - The mobility of Czech avant-garde art under late socialism was strictly regulated, yet the late 1960s saw the rise of private collections of nonconformist art. Built on personal ties rather than institutional support, these collections became symbolic "inner spaces of freedom." International transfers behind the Iron Curtain, however, were tightly controlled by ArtCentrum, the state enterprise managing Czech art sales in the West. Direct artistic ties abroad, mainly to German- and Italian-speaking regions, were rare and often relied on émigré networks. Even these connections usually required state approval, limiting independent artistic exchange. What were the ethical and material aspects of this sporadic cultural mobility of contemporary Czech avant-garde art to the hands of collectors and gallerists situated in the West?
ER  -

RUSINKO, Marcela. Ethical, cultural and material aspects of mobility for the contemporary Czech avant-garde art through the Iron Curtain during the late socialism. In \textit{Challenges and Perspectives for Researching the History of European Art Collections in the 20th Century. International networking workshop organized by Department of Art History, Masaryk university Brno and France Stele Institute of Art History ZRC SAZU Ljubljana 4. 3. 2025, Getty library, Faculty of Arts, Brno.}. 2025.

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