Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in
Saint Petersburg and the Issue of Copies and Emulations

k 2025

Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations

PALLADINO, Adrien a Esther WIPFLER

Základní údaje

Originální název

Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations

Autoři

PALLADINO, Adrien a Esther WIPFLER

Vydání

Workshop – The Brescia Casket: An Exemplary Object Biography between Art History, Technical Art History, and Reception History, Zentralinstitut für Kunstgeschichte, Munich, 2025

Další údaje

Jazyk

angličtina

Typ výsledku

Prezentace na konferencích

Obor

60401 Arts, Art history

Stát vydavatele

Německo

Utajení

není předmětem státního či obchodního tajemství

Odkazy

website of workshop

Označené pro přenos do RIV

Organizační jednotka

Filozofická fakulta

Klíčová slova anglicky

introduction; historiography; technical art history; exhibition history; iconography; ivory carving

Změněno: 30. 5. 2025 16:33, Adrien Palladino, M.A., Ph.D.

Anotace

V originále

The question of copies—both ancient and modern—is central to the understanding of the 4th-century Brescia casket and its historiography. In this two-part presentation, Esther Wipfler, in a second moment, introduces a replica of the casket currently held at the Hermitage Museum in Saint Petersburg, a piece that raises significant methodological points. Before, Adrien Palladino offers a brief overview of the broader concept of copy in relation to ivory artifacts, with a deliberately provocative focus on two distinct periods in which ivory objects were replicated: the early Middle Ages and the nineteenth century. Because these two types of copies differ markedly in their aims and contexts, this comparative framework can help better understand the replica now housed in the Hermitage.

Citovat

PALLADINO, Adrien a Esther WIPFLER. Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations. In Workshop – The Brescia Casket: An Exemplary Object Biography between Art History, Technical Art History, and Reception History, Zentralinstitut für Kunstgeschichte, Munich. 2025.

@proceedings{2500162,
   author = {Palladino, Adrien and Wipfler, Esther},
   booktitle = {Workshop – The Brescia Casket: An Exemplary Object Biography between Art History, Technical Art History, and Reception History, Zentralinstitut für Kunstgeschichte, Munich},
   keywords = {introduction; historiography; technical art history; exhibition history; iconography; ivory carving},
   language = {eng},
   title = {Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations},
   url = {https://www.zikg.eu/aktuelles/veranstaltungen/2025/workshop-the-brescia-caskethttps://www.zikg.eu/aktuelles/veranstaltungen/2025/workshop-the-brescia-casket},
   year = {2025}
}

TY  - CONF
ID  - 2500162
AU  - Palladino, Adrien - Wipfler, Esther
PY  - 2025
TI  - Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations
KW  - introduction
KW  - historiography
KW  - technical art history
KW  - exhibition history
KW  - iconography
KW  - ivory carving
UR  - https://www.zikg.eu/aktuelles/veranstaltungen/2025/workshop-the-brescia-caskethttps://www.zikg.eu/aktuelles/veranstaltungen/2025/workshop-the-brescia-casket
N2  - The question of copies—both ancient and modern—is central to the understanding of the 4th-century Brescia casket and its historiography. In this two-part presentation, Esther Wipfler, in a second moment, introduces a replica of the casket currently held at the Hermitage Museum in Saint Petersburg, a piece that raises significant methodological points. Before, Adrien Palladino offers a brief overview of the broader concept of copy in relation to ivory artifacts, with a deliberately provocative focus on two distinct periods in which ivory objects were replicated: the early Middle Ages and the nineteenth century. Because these two types of copies differ markedly in their aims and contexts, this comparative framework can help better understand the replica now housed in the Hermitage.
ER  -

PALLADINO, Adrien a Esther WIPFLER. Early Medieval or Modern? A ‘Copy’ of the Brescia Casket in Saint Petersburg and the Issue of Copies and Emulations. In \textit{Workshop – The Brescia Casket: An Exemplary Object Biography between Art History, Technical Art History, and Reception History, Zentralinstitut für Kunstgeschichte, Munich}. 2025.

Přehled o publikaci