2025
The Changing Ways of Writing and Reading Autobiography and Autofiction : Self as Performance in Jan Němec’s Ways of Writing about Love
FONIOKOVÁ, ZuzanaZákladní údaje
Originální název
The Changing Ways of Writing and Reading Autobiography and Autofiction : Self as Performance in Jan Němec’s Ways of Writing about Love
Autoři
Vydání
PARTIAL ANSWERS-JOURNAL OF LITERATURE AND THE HISTORY OF IDEAS, BALTIMORE, John’s Hopkins University Press, 2025, 1565-3668
Další údaje
Jazyk
angličtina
Typ výsledku
Článek v odborném periodiku
Obor
60205 Literary theory
Stát vydavatele
Spojené státy
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Impakt faktor
Impact factor: 0.200 v roce 2024
Označené pro přenos do RIV
Ano
Organizační jednotka
Filozofická fakulta
UT WoS
EID Scopus
Klíčová slova anglicky
autobiography; autofiction; identity; life narratives; self-performance; Jan Němec; Ways of Writing about Love
Štítky
Příznaky
Mezinárodní význam, Recenzováno
Změněno: 7. 4. 2026 09:51, Mgr. Ester Gaja Pučálková, Ph.D.
Anotace
V originále
This article discusses the changing understanding and practice of autofiction in the broader cultural context of the transformations of lived reality, the media landscape, and ways of writing and reading life stories. Originally defined as an autobiographical narrative breaking the conventions of classical autobiography, autofiction and its meaning change as notions of autobiography and the autobiographical loosen. The article suggests that a signaled autofictional intent and deliberate ambiguity of framing are important markers of contemporary autofiction. The second part of the article analyzes the strategies of such signaling in Czech writer Jan Němec’s Ways of Writing about Love (2019). It demonstrates how this work underlines the performative nature of self-representation by commenting on the process of self-narration and self-invention as well as by enacting a patchwork identity through inserting other texts and playful touches into the narrative. By allowing new media to influence the form of the book and by transcending the boundaries of the text to continue his self-performance in other media, Němec probes the possibilities not just of “writing about love” but also of performing the self. The work thus exemplifies autofiction’s tendency to respond to sociocultural developments, including changing patterns of life storytelling.
Návaznosti
| GA21-12454S, projekt VaV |
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