‘Basically, he already bought it.' Paris 1925–26 and the battle
for Manet's Bar : More than just finances?

C 2026

‘Basically, he already bought it.' Paris 1925–26 and the battle for Manet's Bar : More than just finances?

RUSINKO, Marcela

Základní údaje

Originální název

‘Basically, he already bought it.' Paris 1925–26 and the battle for Manet's Bar : More than just finances?

Autoři

RUSINKO, Marcela

Vydání

London, Law and Finance in International Art Markets : Tools for the Future, od s. 164-178, 15 s. Routledge Research in the Creative and Cultural Industries, 2026

Nakladatel

Taylor & Francis Group

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

60401 Arts, Art history

Stát vydavatele

Velká Británie a Severní Irsko

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

Odkaz na publikaci na stránkách vydavatele.

Označené pro přenos do RIV

Ano

Organizační jednotka

Filozofická fakulta

ISBN

978-1-032-31270-5

DOI

https://doi.org/10.4324/9781003308911-13

Klíčová slova anglicky

A Bar at the Folies-Bergère; modern art; non-financial market tools; art market strategies; Gottfried Tanner; Édouard Manet; Václav Nebeský; Samuel Courtauld; Thannhauser Gallery; Albert C. Barnes; Ferenc of Hatvany

Štítky

rivok

Příznaky

Mezinárodní význam, Recenzováno

Změněno: 9. 1. 2026 16:00, Mgr. Ester Gaja Pučálková, Ph.D.

Anotace

V originále

This chapter returns to one of the most thrilling yet almost undiscussed moments in the history of the modern art market. A few months in the winter of 1925–26 definitively decided the future of the iconic painting A Bar at the Folies-Bergère (1882) by Édouard Manet, and specically the fact that today millions of visitors per year travel not to the Barnes Foundation in Philadelphia, U.S.A., but to the Courtauld Gallery in London, to see this masterpiece. Thanks to newly discovered local archive records, the events will be considered through the eyes of a minor Central European participant in this boisterous international battle - Czech aesthetician, art historian, modern art critic settled in Paris, Václav Nebeský (1889–1949). In that way, this study aspires to contribute not only to the research on the provenance and mobility history of this artwork but, importantly, to the discussion on the period role of minor agents with limited business capital. It thus reflects on the role of non-financial tools, their negotiating and persuasive power and limits.

Návaznosti

MUNI/FF-DEAN/1776/2021, interní kód MU

Název: Od van Gogha po Maneta: Mezinárodní obchodní aktivity a sběratelské ambice kritika Václava Nebeského jako vyslance českého umění v meziválečné Paříži

Investor: Masarykova univerzita, Od van Gogha po Maneta: Mezinárodní obchodní aktivity a sběratelské ambice kritika Václava Nebeského jako vyslance českého umění v meziválečné Paříži, Děkanský grant

Citovat

RUSINKO, Marcela. ‘Basically, he already bought it.' Paris 1925–26 and the battle for Manet's Bar : More than just finances? In Lazzaro, Elisabetta; Moureau, Nathalie; Turpin, Adriana. Law and Finance in International Art Markets : Tools for the Future. London: Taylor & Francis Group, 2026, s. 164-178. Routledge Research in the Creative and Cultural Industries. ISBN 978-1-032-31270-5. Dostupné z: https://doi.org/10.4324/9781003308911-13.

@inbook{2539219,
   author = {Rusinko, Marcela},
   address = {London},
   booktitle = {Law and Finance in International Art Markets : Tools for the Future},
   doi = {https://doi.org/10.4324/9781003308911-13},
   editor = {Lazzaro, Elisabetta; Moureau, Nathalie; Turpin, Adriana},
   keywords = {A Bar at the Folies-Bergère; modern art; non-financial market tools; art market strategies; Gottfried Tanner; Édouard Manet; Václav Nebeský; Samuel Courtauld; Thannhauser Gallery; Albert C. Barnes; Ferenc of Hatvany},
   howpublished = {tištěná verze "print"},
   language = {eng},
   location = {London},
   isbn = {978-1-032-31270-5},
   pages = {164-178},
   publisher = {Taylor & Francis Group},
   title = {‘Basically, he already bought it.' Paris 1925–26 and the battle for Manet's Bar : More than just finances?},
   url = {https://www.routledge.com/Law-and-Finance-in-International-Art-Markets-Tools-for-the-Future/Lazzaro-Moureau-Turpin/p/book/9781032312705},
   year = {2026}
}

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VL  - Routledge Research in the Creative and Cultural Industries
PB  - Taylor & Francis Group
CY  - London
SN  - 9781032312705
KW  - A Bar at the Folies-Bergère
KW  - modern art
KW  - non-financial market tools
KW  - art market strategies
KW  - Gottfried Tanner
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KW  - Samuel Courtauld
KW  - Thannhauser Gallery
KW  - Albert C. Barnes
KW  - Ferenc of Hatvany
UR  - https://www.routledge.com/Law-and-Finance-in-International-Art-Markets-Tools-for-the-Future/Lazzaro-Moureau-Turpin/p/book/9781032312705
N2  - This chapter returns to one of the most thrilling yet almost undiscussed moments in the history of the modern art market. A few months in the winter of 1925–26 definitively decided the future of the iconic painting A Bar at the Folies-Bergère (1882) by Édouard Manet, and specically the fact that today millions of visitors per year travel not to the Barnes Foundation in Philadelphia, U.S.A., but to the Courtauld Gallery in London, to see this masterpiece. Thanks to newly discovered local archive records, the events will be considered through the eyes of a minor Central European participant in this boisterous international battle - Czech aesthetician, art historian, modern art critic settled in Paris, Václav Nebeský (1889–1949). In that way, this study aspires to contribute not only to the research on the provenance and mobility history of this artwork but, importantly, to the discussion on the period role of minor agents with limited business capital. It thus reflects on the role of non-financial tools, their negotiating and persuasive power and limits.
ER  -

RUSINKO, Marcela. ‘Basically, he already bought it.' Paris 1925–26 and the battle for Manet's Bar : More than just finances? In Lazzaro, Elisabetta; Moureau, Nathalie; Turpin, Adriana. \textit{Law and Finance in International Art Markets : Tools for the Future}. London: Taylor \&{} Francis Group, 2026, s.~164-178. Routledge Research in the Creative and Cultural Industries. ISBN~978-1-032-31270-5. Dostupné z: https://doi.org/10.4324/9781003308911-13.

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