B 2025

A Byzantine Century : Political, Colonial, and National Uses of Neo-Byzantine Architecture, 1820s–1920s

PALLADINO, Adrien; Francesco LOVINO; Ivan FOLETTI; Margarita KHAKHANOVA; Niamh BHALLA et al.

Základní údaje

Originální název

A Byzantine Century : Political, Colonial, and National Uses of Neo-Byzantine Architecture, 1820s–1920s

Autoři

PALLADINO, Adrien; Francesco LOVINO; Ivan FOLETTI; Margarita KHAKHANOVA; Niamh BHALLA; Fani GARGOVA; Dimitra KOTOULA; Dragan DAMJANOVIĆ; Ivana MANCE CIPEK; Irene GIVIASHVILI; Anna MGALOBLISHVILI; Semra HORUZ; Thomas KAFFENBERGER; Iñigo SALTO SANTAMARÍA a Giovanni GASBARRI

Vydání

Convivium Suppl. 17, 2025. Turnhout, 266 s. 1st, 2025

Nakladatel

Brepols Publishers

Další údaje

Jazyk

angličtina

Typ výsledku

Odborná kniha

Obor

60401 Arts, Art history

Utajení

není předmětem státního či obchodního tajemství

Forma vydání

tištěná verze "print"

Odkazy

Označené pro přenos do RIV

Ano

Organizační jednotka

Filozofická fakulta

ISBN

978-80-280-0797-3

Klíčová slova anglicky

Art history; religion and politics; historicism; colonialism; Byzantine architecture; architectural historicism; history of architecture; orientalism; Neo-Byzantine art; Byzantine revival; Synagogue architecture

Štítky

Příznaky

Mezinárodní význam, Recenzováno
Změněno: 24. 3. 2026 08:39, Mgr. et Mgr. Stanislav Hasil, Ph.D.

Anotace

V originále

This open-access volume explores what it meant to invoke Byzantium during a century of restless political, cultural, and imperial transformation. From the 1820s to the 1920s, the “Neo-Byzantine” style was more than a matter of architectural taste in an age of eclecticism. It became a language of power and identity, called upon to serve colonial empires such as Britain, France, Russia, and Austria-Hungary, as well as contested regions like the Caucasus, the Balkans, and the Ottoman capital itself, where Byzantium was at once heritage and provocation. Far from being a marginal curiosity, the Neo-Byzantine revival was a crucible in which nations, religions, and empires negotiated their pasts and imagined their futures. Monumental churches, synagogues, and civic buildings across Europe, North Africa, and Western Asia were not simply constructed in a borrowed style: they materialized competing dreams of Byzantium, becoming instruments of political ambition, religious authority, national mythology, and cultural colonization. Through a series of case studies ranging from Dublin to Istanbul, from Marseille to Tbilisi, and from Prussian churches to diasporic Armenian projects, the contributors move between the macro and the micro, situating the style within broad historical currents while grounding it in the specificity of local histories. Together, they demonstrate how Byzantium was not only reinvented but actively contested — its image refracted through the shifting concerns of a global century. The volume is fully open-access and will be available on the website of Brepols in the next few weeks.

Návaznosti

GA24-10991S, projekt VaV
Název: Sny o Byzanci ve Francii 19. století: novobyzantská architektura, orientalismus a rasové a národní mýty dějin umění (1848–1900)
Investor: Grantová agentura ČR, Sny o Byzanci ve Francii 19. století: novobyzantská architektura, orientalismus a rasové a národní mýty dějin umění (1848–1900)