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@inbook{767749,
author = {Horáková, Jana and LouisandPhilippe, Demers and Adams, Randy and Gibson, Steve and Müller Arisona, Stefan},
address = {Zürich Switzerland, Victoria, BC, Canada},
booktitle = {Transdisciplinary Digital Art. Sound, Vision and the new Screen, Vol.7},
keywords = {Robotic art; kinetic art; acting; puppetry; artificial intelligence; artificial life; theatre; stage; semiotic; ontology.},
language = {eng},
location = {Zürich Switzerland, Victoria, BC, Canada},
isbn = {978-3-540-79485-1},
pages = {434-450},
publisher = {Springer Berlin Heideberg},
title = {Anthropocentrism and the Staging of Robots},
year = {2008}
}
TY - CHAP
ID - 767749
AU - Horáková, Jana - Louis-Philippe, Demers - Adams, Randy - Gibson, Steve - Müller Arisona, Stefan
PY - 2008
TI - Anthropocentrism and the Staging of Robots
VL - Communication in Computer and Information Science
PB - Springer Berlin Heideberg
CY - Zürich Switzerland, Victoria, BC, Canada
SN - 9783540794851
KW - Robotic art
KW - kinetic art
KW - acting
KW - puppetry
KW - artificial intelligence
KW - artificial life
KW - theatre
KW - stage
KW - semiotic
KW - ontology.
N2 - By investigating the representations of the human throughout history of the robots, we analyze robotic performances from a theatrical audience pragmatic point of view. Hence, this interpretation of robots as performers, or staged robots, involves an act of suspension of disbelief as a first and constitutive condition of theatrical reality. As an early analysis of robotic performances and robots as performers, this paper focuses on the notions of anthropomorphism and anthropopathy.
ER -
HORÁKOVÁ, Jana a Demers LOUIS-PHILIPPE. Anthropocentrism and the Staging of Robots. In ADAMS, Randy, Steve GIBSON a Stefan MÜLLER ARISONA. \textit{Transdisciplinary Digital Art. Sound, Vision and the new Screen, Vol.7}. Zürich Switzerland, Victoria, BC, Canada: Springer Berlin Heideberg. s.~434-450. Communication in Computer and Information Science. ISBN~978-3-540-79485-1. 2008.
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