Sonic Imagination, or Film Sound as a Discursive Construct in
Czech Culture of the Transitional Period

C 2008

Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period

SZCZEPANIK, Petr

Základní údaje

Originální název

Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period

Název česky

Raný zvukový film jako diskursivní konstrukt v české kultuře let 1928-1935

Autoři

SZCZEPANIK, Petr (203 Česká republika, garant)

Vydání

Chicago, MLVs Cinema and other media / Versioni multiple Cinema e altri media, od s. 87-104, 17 s. Film studies/Communication, 2008

Nakladatel

University of Illinois Press

Další údaje

Jazyk

angličtina

Typ výsledku

Kapitola resp. kapitoly v odborné knize

Obor

Písemnictví, masmedia, audiovize

Stát vydavatele

Spojené státy

Utajení

není předmětem státního či obchodního tajemství

Kód RIV

RIV/00216224:14210/08:00024981

Organizační jednotka

Filozofická fakulta

ISBN

978-0-252-07532-2

Klíčová slova anglicky

film history; media history; film sound; radio; film archive

Štítky

film archive, film history, film sound, media history, Radio

Příznaky

Mezinárodní význam

Změněno: 28. 3. 2010 23:13, doc. Mgr. Petr Szczepanik, Ph.D.

Anotace

V originále

The profound transformations which cinema underwent during the period 1927-1934 on all levels were defined not only by technological development but also by the discourses (comprised of reviews, theories, advertisements, business decisions, patents etc.), practices (different ways of creation and consumption) and institutions (established media, arts, sciences, legislation, and other social and economic structures) surrounding it and inserting it into the world of everyday life. Cinema s prospect as it stood on the crossroads of alternative possible futures implied different modes of social use and meaning which differed significantly from the institution of silent cinema. In this article I propose a description of five groups of arguments and tropes structuring the film-sound related discourses present in the Czech culture of the late 1920s and early 1930s.

Návaznosti

GP408/03/D174, projekt VaV

Název: Kulturněhistorické kontexty zavedení synchronního reprodukovaného zvuku v české kinematografii

Investor: Grantová agentura ČR, Kulturněhistorické kontexty zavedení synchronního reprodukovaného zvuku v české kinematografii

Citovat

SZCZEPANIK, Petr. Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period. In MLVs Cinema and other media / Versioni multiple Cinema e altri media. Chicago: University of Illinois Press, 2008, s. 87-104, 17 s. Film studies/Communication. ISBN 978-0-252-07532-2.

@inbook{786521,
   author = {Szczepanik, Petr},
   address = {Chicago},
   booktitle = {MLVs Cinema and other media / Versioni multiple Cinema e altri media},
   keywords = {film history; media history; film sound; radio; film archive},
   language = {eng},
   location = {Chicago},
   isbn = {978-0-252-07532-2},
   pages = {87-104},
   publisher = {University of Illinois Press},
   title = {Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period},
   year = {2008}
}

TY  - CHAP
ID  - 786521
AU  - Szczepanik, Petr
PY  - 2008
TI  - Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period
VL  - Film studies/Communication
PB  - University of Illinois Press
CY  - Chicago
SN  - 9780252075322
KW  - film history
KW  - media history
KW  - film sound
KW  - radio
KW  - film archive
N2  - The profound transformations which cinema underwent during the period 1927-1934 on all levels were defined not only by technological development but also by the discourses (comprised of reviews, theories, advertisements, business decisions, patents etc.), practices (different ways of creation and consumption) and institutions (established media, arts, sciences, legislation, and other social and economic structures) surrounding it and inserting it into the world of everyday life. Cinema s prospect as it stood on the crossroads of alternative possible futures implied different modes of social use and meaning which differed significantly from the institution of silent cinema. In this article I propose a description of five groups of arguments and tropes structuring the film-sound related discourses present in the Czech culture of the late 1920s and early 1930s.
ER  -

SZCZEPANIK, Petr. Sonic Imagination, or Film Sound as a Discursive Construct in Czech Culture of the Transitional Period. In \textit{MLVs Cinema and other media / Versioni multiple Cinema e altri media}. Chicago: University of Illinois Press, 2008, s.~87-104, 17 s. Film studies/Communication. ISBN~978-0-252-07532-2.

Podrobný výpis o publikaci