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@inproceedings{936374, author = {Franková, Milada}, address = {Newcastle upon Tyne}, booktitle = {Does It Really Mean That? Interpreting the Literary Ambiguous}, editor = {Kathleen Dubs; Janka Kaščáková}, keywords = {ambiguity; contemporary British prose; Jeanette Winterson; Michéle Roberts; Angela Carter; Iris Murdoch; Muriel Spark; Jane Gardam}, howpublished = {tištěná verze "print"}, language = {eng}, location = {Newcastle upon Tyne}, isbn = {978-1-4438-2661-7}, pages = {92-103}, publisher = {Cambridge Scholars Publishing}, title = {The Ambiguous in Contemporary British Prose}, year = {2011} }
TY - JOUR ID - 936374 AU - Franková, Milada PY - 2011 TI - The Ambiguous in Contemporary British Prose PB - Cambridge Scholars Publishing CY - Newcastle upon Tyne SN - 9781443826617 KW - ambiguity KW - contemporary British prose KW - Jeanette Winterson KW - Michéle Roberts KW - Angela Carter KW - Iris Murdoch KW - Muriel Spark KW - Jane Gardam N2 - The postmodern age has embraced ambiguity as one of its essential concepts. This paper examines some aspects of ambiguity in two sets of British contemporary novels, roughly distinguished by their realistic or experimental mode, with the aim to show that the postmodern is not necessarily the defining underlying element of the presence of ambiguity in the texts. ER -
FRANKOVÁ, Milada. The Ambiguous in Contemporary British Prose. In Kathleen Dubs; Janka Kaščáková. \textit{Does It Really Mean That? Interpreting the Literary Ambiguous}. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011, s.~92-103, 13 s. ISBN~978-1-4438-2661-7.
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