2011
Beckett Country: Irish Motifs in Belarusian Landscape
VORANAU, VitalZákladní údaje
Originální název
Beckett Country: Irish Motifs in Belarusian Landscape
Autoři
Vydání
Ireland: East and West, 2011
Další údaje
Jazyk
angličtina
Typ výsledku
Konferenční abstrakt
Obor
Písemnictví, masmedia, audiovize
Stát vydavatele
Chorvatsko
Utajení
není předmětem státního či obchodního tajemství
Odkazy
Organizační jednotka
Filozofická fakulta
Klíčová slova česky
Samuel Beckett
Klíčová slova anglicky
Samuel Beckett, Belarus, Theatre, Ireland
Změněno: 30. 11. 2016 16:58, Mgr. Jana Pelclová, Ph.D.
Anotace
V originále
This paper explores the common motifs in Irish and Belarusian literatures, based on the example of Beckett and various associate Belarusian authors. The analysis starts with the history of the first, legendary performance of Waiting for Godot in Minsk which was banned by censors right after its premiere. Then it continues with the description of shared motifs, ideas, and themes in both cultures. Beckett country and Beckett man are here viewed through the prism of Belarusian drama, stressing the similarities and outlining the differences. These concepts are considered in the context of historical developments, cultural evolution and literary analogies of two nations. This paper is not limited only to Beckett but also makes numerous references to other Irish writers, such as James Joyce and William Butler Yeats. The paper ends with the overall presentation of Belarusian-Irish literary relations and points out areas of prospective research in the field.