PV114 Production of audiovisual artefacts

Faculty of Informatics
Spring 2025
Extent and Intensity
0/0/6. 4 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. Tereza Bochinová (lecturer)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Roman Dvořák (assistant)
Bc. Tatiana Pavolková (assistant)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic orientation in creating film or computer work from the LEMMA courses PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts, or from the AGDaM Graphic Design Studio courses. Enthusiasm for gaining production experience in Czech Television Brno's professional environment.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 9/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of this course, the student will be able to: understand the principles of creating audiovisual work and professional production; apply the acquired soft skills; take responsibility for their work in the crew; understand the role of all team members; participate in the script and dramaturgy in a professional production; implement their agreed creative role in the production crew.
Learning outcomes
At the end of this course, the student will be able to: understand the principles of creating audiovisual work and professional production; apply the acquired soft skills; take responsibility for their work in the crew; understand the role of all team members; participate in the script and dramaturgy in a professional production; implement their agreed creative role in the production crew.
Syllabus
  • Initial brainstorming
  • Theme development
  • Screenplay development and pitching
  • Technical script development
  • Visit to the Brno television studio
  • Final pitching
Literature
    recommended literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
Teaching methods
Crew meetings once every 14 days in FI:A502 or LEMMA (FI:C223) with possible (rather exceptional) online participation. Brainstorming and group discussions on preparation (theme, script, production script, dramaturgy). Feedback on individual work in a specific creative role (direction, script, editing, camera).
Assessment methods
To successfully complete the course with a colloquium, the student will be required to deliver their part of the program/perform the assigned work according to the selected position in the crew (delivering the script, directing the piece, participating in filming, etc.). The date of awarding the colloquium for the course will be decided according to the student's individual situation.
In the case of ongoing production or post-production, even after the end of the semester, a contract/order for the delivery of the work will be signed with the students. The time load depends on the student position in the film crew. The screenwriter is required to communicate with the production and dramaturgy, continuously work on the script, regularly consult with mentors from Czech TV, participate in pitching the subject, etc. The director is required to communicate with the production and dramaturgy, participate in filming (1 to 2 filming days), where he coordinates the crew, and post-production (1 to 2 editing days), where he communicates with the editor. The cameraman and sound engineer must participate in the filming (1 to 2 filming days), where they collaborate with the director and are responsible for the audiovisual and technical quality of the work. The editor must participate in post-production (1 to 2 editing days), where they collaborate with the director and are responsible for the integrity of the work.
Náhradní absolvování
By arrangement, it is theoretically possible to participate in the lessons online and to carry out contact production roles after returning from Erasmus.
Language of instruction
Czech
Study support
https://is.muni.cz/auth/el/fi/jaro2025/PV114/index.qwarp
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is taught every week.
Teacher's information
https://is.muni.cz/auth/el/jaro2025/PV114/index.qwarp
The course suits students with some film (directing, screenwriting, sound, cameraman, editing) experience and skills and would like to use them to benefit collective work in a professional environment. The aim is to create primarily student works for internet broadcasting by using the abilities of each student.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Spring 2026.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/fi/spring2025/PV114