HV257 Instrument playing 2

Faculty of Education
Spring 2023
Extent and Intensity
0/1/0. 2 credit(s). Type of Completion: z (credit).
Taught in person.
Teacher(s)
doc. Mgr. Petr Hala, Ph.D. et Ph.D. (seminar tutor)
MgA. Jiří Klecker, DiS. (seminar tutor)
prof. PhDr. Judita Kučerová, Ph.D. (seminar tutor)
Mgr. et Mgr. BcA. Bc. Lenka Kučerová, DiS., Ph.D. et Ph.D., MBA, LL.M. (seminar tutor)
doc. Mgr. Vladimír Richter (seminar tutor)
Mgr. Dagmar Ryšánková (seminar tutor)
Guaranteed by
doc. Mgr. Petr Hala, Ph.D. et Ph.D.
Department of Music – Faculty of Education
Contact Person: doc. Mgr. Petr Hala, Ph.D. et Ph.D.
Supplier department: Department of Music – Faculty of Education
Timetable of Seminar Groups
HV257/01: Thu 15:00–15:50 kancelář vyučujícího, L. Kučerová
HV257/02: Mon 13:00–13:50 kancelář vyučujícího, L. Kučerová
HV257/03: No timetable has been entered into IS. J. Kučerová
HV257/04: Wed 13:00–13:50 kancelář vyučujícího, J. Kučerová
HV257/05: Tue 11:00–11:50 kancelář vyučujícího, J. Klecker
Prerequisites (in Czech)
HV051 Instrument playing 1
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
fields of study / plans the course is directly associated with
there are 9 fields of study the course is directly associated with, display
Course objectives
The aim of the course is to develop by students the ability to stylize the accompaniment of folk or artificial song in a way that corresponds with the character of the melodic line and features the songs grow by the students belief that it is necessary to put emphasis on the fact that one and the same melody it is possible to accompany in a different way. The aim of the course is also the succesfull implementation of a rehearsal performance of the concert piece.
Learning outcomes
The Student is able to stylize the escort the entered melody and play the specified piece. Readily creates an accompaniment to the unknown folk song.
Syllabus
  • Stylization of accompaniment of folk or artificial songs in accordance with the character of the melody and with the function of the song. Playing of 10 songs any genre with transpositions (any overhead and lower second and third)and of 3 songs of "classical writer" of 20th century without transpositions (J. Ježek, J. Šlitr, Beatles etc.) Practice of a piano piece. A performance (a committee of teachers) is ambodied in schooling. The student plays one of compositions: F. Chopin: Preludio Op. 28 No. 4 or 6, L. van Beethoven: Bagatelle Op. 119, No. 3 or 4 and one folk song with trasnpositions (any overhead and lower second and third). 1. Prescribed concert piece 2. Training songs no. 1 of the formation of the "classics" of popular music 20. century (without transpositions) 3. Practice song no. 2 of the formation of the "classics" of popular music 20. century (without transpositions) 4. Rehearsal of the song no. 3 from the formation of the "classics" of popular music 20. century (without transpositions) 5. Accompaniment of songs of any genre no. 1 – 2 6. Accompaniment of songs of any genre no 3 – 4 7. Accompaniment of songs of any genre no 5 8. Accompaniment of songs of any genre no 6 9. Accompaniment of songs of any genre no. 7 10. Accompaniment of songs of any genre no 8 11. Accompaniment of songs of any genre no 9 12. Accompaniment of songs of any genre no 10
Literature
  • KUČEROVÁ, Judita. Lidová píseň v Čechách, na Moravě a ve Slezsku. I. díl. Brno: Masarykova univerzita, Pedagogická fakulta, 2008, 108 pp. ISBN 978-80-210-4719-8. info
  • KUČEROVÁ, Judita. Lidová píseň v Čechách, na Moravě a ve Slezsku. II. díl. Brno: Masarykova univerzita, Pedagogická fakulta, 2008, 282 pp. ISBN 978-80-210-4720-4. info
  • HAYNES, Bruce. The end of early music: a period performer's history of music for the twenty-first century. Oxford: Oxford University, 2007. ISBN 978-0-19-518987-2.
  • TROJAN, J. Moravská lidová píseň. Melodika, harmonika. Praha: Supraphon, 1980. 222 s. ŠIMONKOVÁ, D. Desatero nezbytností klavíristy. Praha: SNP, 1986. 125 s. POPOVIČ, M. Teoretické aspekty klavírní improvizace (doprovod lidové písně). 1. vyd. Ústí nad La
  • CARMI, Avner a Hannah CARMI. Das unsterbliche Klavier: die abenteuerliche und wahrhaftige Geschichte von dem verschollenen und wiedergefundenen Siena-Klavier. 4. Auflage. Stuttgart: Urachhaus, 1992. ISBN 3-87838-414-9.
  • GERIG, Reginald R. Famous pianists & their technique. New ed. Bloomington: Indiana University Press, c2007. ISBN 9780253348555.
  • CRHA, Bedřich and Petr HALA. Technika klavírního doprovodu lidových písní. 2. vyd. Brno: Masarykova univerzita, 2008, 115 s. ISBN 9788021046597. info
Teaching methods
Practical exercises.
Assessment methods
The student plays the piano piece, any 10 songs with transpositions (any overhead and lower second and third) and 3 songs of "classical writer" of 20th century without transpositions (J. Ježek, J. Šlitr, Beatles etc.). Homeworks. Duty to attend the classwork.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
Listed among pre-requisites of other courses
The course is also listed under the following terms Spring 2024, Spring 2025.
  • Enrolment Statistics (Spring 2023, recent)
  • Permalink: https://is.muni.cz/course/ped/spring2023/HV257