HV_812 Vocal-instrumental forms of the baroque period

Faculty of Arts
Spring 2024

The course is not taught in Spring 2024

Extent and Intensity
1/1/0. 5 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. PhDr. Jana Perutková, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jana Perutková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Prerequisites (in Czech)
VH_39 Bachelor exam || VHK_26 Bachelor exam || SH_BZk Bachalor degree exam
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 16 fields of study the course is directly associated with, display
Course objectives
The aim of the course is to get acquainted with vocal instrumental forms of the high baroque.
Learning outcomes
Student is able to reliably recognize individual vocal instrumental forms after passing the subject analyze specific musical material orientated in national styles and rules applicable to individual genres.
Syllabus
  • World music: opera, serenata, cantata. Spiritual music: Oratory, Mass, and other kinds of liturgical music.
Literature
  • Reinhard Strohm: Essays on Handel and Italian Opera. Cambridge University Press 2008
  • Reinhard Strohm: Dramma per Musica: Italian Opera Seria of the Eighteenth Century. Yale University Press, 1997
  • PERUTKOVÁ, Jana. Das Wort-Ton-Verhältnis im Werk des mährischen Komponisten Franz Anton Mitscha (1696–1744) (The word-sound relationship in the work of the Moravian composer Franz Anton Mitscha (1696-1744)). In Kačic, Ladislav. Musikalische und literarische Kontexte des Barocks in Mitteleuropa / in der Slowakei. 1st ed. Bratislava: Slavistický ústav Jana Stanislava SAV, 2015, p. 163-178. ISBN 978-80-89189-25-0. info
  • PERUTKOVÁ, Jana. Der glorreiche Nahmen Adami. Johann Adam Graf von Questenberg (1678–1752) als Förderer der italienischen Oper in Mähren (Der glorreiche Nahmen Adami. Johann Adam Count von Questenberg (1678–1752) as patron of the Italian opera in Moravia). Vídeň: Hollitzer Verlag, 2015, 778 pp. Specula Spectacula 4. ISBN 978-3-99012-199-3. info
  • PERUTKOVÁ, Jana. Die von der mährischen Aristokratie in der ersten Hälfte des 18. Jahrhunderts veranstalteten musikdramatischen Aufführungen als Spiegel der musikalischen Feste am Wiener Kaiserhof (Musical and dramatic performances initiated by Moravian aristocracy as a mirror of the imperial court festivities). In Representing the Habsburg-Lorraine Dynasty in Music, Visual Media and Architecture, c. 1618–1918. 2015. info
  • PERUTKOVÁ, Jana. Nové skutečnosti k operám L’elezione d’Antioco in re della Siria a Cleonice e Demetrio uvedeným v Questenbergových Jaroměřicích v r. 1732. K provozovací praxi na jaroměřické zámecké scéně v 1. polovině 18. století – II. díl (New facts to the operas L’elezione d’Antioco in re della Siria and Cleonice e Demetrio listed in Jaroměřice by Questenberg in the year 1732. The performance practice at the Jaroměřice castle in the first half of the 18th century - Part II). Opus musicum. Brno: Opus musicum, 2015, vol. 47, No 3, p. 6-18. ISSN 0862-8505. info
  • BRACCA, Silvia. L'occhio e l'orecchio : immagini per il dramma per musica nella Venezia del '600 : incisori, pittori e scenografi all'Opera con un repertorio dei libretti illustrati stampati in Laguna tra il 1637 e il 1719. Treviso: ZeL Edizioni, 2014, 426 stran. ISBN 9788896600849. info
  • PERUTKOVÁ, Jana. Giulio Cesare in Egitto am Wiener Kärntnertortheater im Jahre 1731. Ein Beitrag zur Rezeption der Werke von G. F. Händel in der Habsburgermonarchie in der 1. Hälfte des 18. Jahrhunderts (Giulio Cesare in Egitto at the Theater am Kärntnertor in Vienna (Kärntnertortheater) in 1731.). Hudební věda. Praha: Etnologický ústav AV ČR, 2012, roč. 49, č. 1-2, p. 95-122. ISSN 0018-7003. info
  • PERUTKOVÁ, Jana and Vladimír MAŇAS. Pašijové oratorium ve Znojmě roku 1734 - příspěvek k poznání hudebního života na Moravě (Passion oratorio in Znojmo in 1734 - a contribution to the knowledge of musical life in Moravia). Opus musicum : hudební revue. Brno: Opus musicum, 2012, roč. 44, č. 3, p. 6-13. ISSN 0862-8505. info
  • PERUTKOVÁ, Jana, Jana SPÁČILOVÁ and Václav KAPSA. Some Remarks on the Relationship of Bohemian Aristocracy to Italian Music at the Time of Pergolesi. In Claudio Bacciagaluppi, Hans-Gunter Ottenberg, Luca Zoppelli. Studi Pergolesiani 8. Bern: Peter Lang, 2012, p. 311-340. ISBN 978-3-0343-1206-6. info
  • PERUTKOVÁ, Jana. František Antonín Míča ve službách hraběte Questenberga a italská opera v Jaroměřicích (Franz Anton Mitscha in the service of Count Questenberg and Italian opera in Jaroměřice). Praha: Koniasch Latin Press, 2011, 620 pp. Clavis monumentorum musicorum regni bohemiae, IV. ISBN 978-80-86791-73-9. info
  • PERUTKOVÁ, Jana. Problematika galantního stylu ve světle dobových pramenů (s bližším zaměřením na hudebně dramatickou tvorbu) (Problems gallant style in light of contemporary sources (with a closer focus the musical drama)). Musicologica Brunensia. Brno: Masarykova univerzita, 2011, roč. 46, č. 1-2, p. 127-139. ISSN 1212-0391. info
  • PERUTKOVÁ, Jana. J. A. Hasse: Semele. Serenata z hudební sbírky hraběte Questenberga a její obnovená světová premiéra (J. A. Hasse: Semele.Serenata from music collection of count Questenberg and its worlds premiere). Opus musicum. Brno: Opus musicum, o.p.s., 2007, 39. ročník, č. 4, p. 23-27. ISSN 0862-8505. info
  • Motezuma RV 723 : "dramma per musica" in three acts. Edited by Vito Priante - Marijana Mijanović - Roberta Invernizzi - Maite Beaumo. Hamburg: Deutsche Grammophon, 2006, 3 zvukové. info
Teaching methods
lectures, class discussion
Assessment methods
written test
Language of instruction
Czech
Further Comments
The course is taught only once.
The course is taught: every week.
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