ZD_16 Sound Production II

Faculty of Arts
Autumn 2024
Extent and Intensity
0/2/2. 4 credit(s). Type of Completion: k (colloquium).
In-person direct teaching
Teacher(s)
Ladislav Mirvald (lecturer)
Mgr. Viktor Pantůček, Ph.D. (lecturer)
Guaranteed by
Mgr. Viktor Pantůček, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
each odd Thursday 10:00–13:40 N21, except Mon 18. 11. to Sun 24. 11.
Prerequisites
ZD_12 Sound Production I
Passing the course Sound Production I ZD_12
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The student will be able to understand the language of professional sound studies after completing the course. He will understand the individual requirements for the quality and nature of the material. He will know the technical and time demands and approximate value of the work in the sound studio. He will be able to specify requirements for sound engineer and sound master based on client's tasks. He will be able to mediate between the performer, the sound studio and the director.
Learning outcomes
Student will understand after the course:
the way of work leading to the production of multichannel sound recording (reportage with sound background, musical composition, multichannel audio production (5.1, 7.1) in terms of editing, basic mix and exporting to final formats
various sound applications (image, video, animation, computer game, sound capture outside the studio space [interior, exterior] using portable recording equipment, theater, fine art, performance, art installation, etc.)
the sequence of steps from recording to application to different media
will be able to read and control assignments for studio work, recording, technical requirements of the clients, technical requirements of the end user or producers of carriers
will be able to determine the approximate technical and personnel intensity, at the same time the time and financial costs of individual projects,
therefore, based on technical requirements, he will be able to create a time and financial balance sheet and to distribute work to a technician, sound engineer and other studio staff.
Syllabus
  • 1st multi-channel production
  • 2. editing, editing, mixing, mastering
  • 3. linking sound with other media and artistic genres
  • 4. sound production schedule
  • 5. creation and analysis of sound production
  • 6. technical, personal and financial aspects of sound production
Literature
    recommended literature
  • BLÁHA, Ivo. Zvuková dramaturgie audiovizuálního díla. 3. upravené vydání. Praha: Nakladatelství Akademie múzických umění v Praze, 2014, 153 stran. ISBN 9788073313036. info
  • VIERS, Ric. The location sound bible : how to record professional dialogue for film and TV. Studio City, CA: Michael Wiese Productions, 2012, xv, 354. ISBN 9781615931200. info
  • VLACHÝ, Václav. Praxe zvukové techniky. 3., aktualiz. a dopl. vyd. Praha: Muzikus, 2008, 297 s. ISBN 9788086253466. URL info
Teaching methods
Practice in directing, in the hall and outside of the studio and also in facilities following the work of sound directing.
Assessment methods
Final work in the sound laboratory and in exterior, organizing technology and work in the sound laboratory and making audio recording. Making an audio recording in the exterior based on the assignment. Creating a stageplan and connection based on situation requirements. Creating the final basic audio medium (output track list, description, format).
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2022, Autumn 2023.
  • Enrolment Statistics (recent)
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