ZD_38 Basics of music direction II

Faculty of Arts
Spring 2023
Extent and Intensity
1/1/0. 3 credit(s). Type of Completion: z (credit).
Teacher(s)
Mgr. Tomáš Řezníček (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. PhDr. Martin Flašar, Ph.D.
Department of Musicology – Faculty of Arts
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Thu 8:00–9:40 N21, Thu 8:00–9:40 N31
Prerequisites
Musical ear and rhythmic sense, reading music notation.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 30 student(s).
Current registration and enrolment status: enrolled: 2/30, only registered: 0/30, only registered with preference (fields directly associated with the programme): 0/30
fields of study / plans the course is directly associated with
Course objectives
Realization of sound recording - music recording in the studio and its processing, i.e. editing.
Learning outcomes
- describe and summarize the important factors in the sound recording of music
- respond to the manifestations or shortcomings of performance in recording
- recognise and analyse the sound quality of a recorded composition
- recognise and analyse the musical quality of a recorded composition
Syllabus
  • - recording space and the location of the performers in it
  • - musical instruments and microphone placement
  • - recording music in the studio and in the natural space
  • - conducting the recording from the position of musical director
  • - processing - editing of recorded material
Literature
  • KING, Richard. Recording orchestra and other classical music ensembles. First published. New York: Routledge, Taylor & Francis Group, 2017, xi, 256. ISBN 9781138854536. info
  • HUBER, David Miles and Robert E. RUNSTEIN. Modern recording techniques. Eighth edition. New York: Focal press, Taylor & Francis group, 2014, xix, 644. ISBN 9780240821573. info
  • Recording and producing audio for media. Edited by Stanley R. Alten. Boston, MA: Cengage Learning, 2012, xvi, 735 p. ISBN 9781435460669. info
  • Mixing, recording, and producing techniques of the pros. Edited by Rick Clark. 2nd ed. Boston, Mass.: Course Technology, Cengage Learning, 2011, xxiv, 392. ISBN 9781598639155. info
  • Artists on recording techniques. Edited by Jeff Touzeau. Boston, MA: Course Technology, 2008, xvi, 266 p. ISBN 9781598637113. info
Teaching methods
- realization of music recording in recording studio, analysis and processing of recorded material
Assessment methods
PERSONAL PARTICIPATION IN THE RECORDING IN THE STUDIO AND AN INDEPENDENT ATTEMPT TO EDIT THE RECORDING
Language of instruction
Czech
Further Comments
Study Materials
The course is also listed under the following terms Spring 2024, Spring 2025.
  • Enrolment Statistics (Spring 2023, recent)
  • Permalink: https://is.muni.cz/course/phil/spring2023/ZD_38