HV_730 Early music culture in the Central Europe

Faculty of Arts
Spring 2024
Extent and Intensity
1/1/0. 5 credit(s). Type of Completion: k (colloquium).
Teacher(s)
doc. Mgr. Vladimír Maňas, Ph.D. (lecturer)
prof. PhDr. Jana Perutková, Ph.D. (lecturer)
Guaranteed by
prof. PhDr. Jana Perutková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: prof. PhDr. Jana Perutková, Ph.D.
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 12:00–13:40 N41, except Tue 16. 4.
Prerequisites
Obligatory-elective lecture for Master's degree programmes in musicology
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
Current state of research and analytical perspectives on early music culture.
Learning outcomes
After completing the course, the student will be able to understand the basic processes of music in the Bohemian lands from the late Middle Ages to the second half of the 18th century. The student will also understand the possibilities of analyzing arias from the first half of the 18th century.
Syllabus
  • Moravia as a Passing Land - Connections and Parallels between the Late Middle Ages and the Emergence of the Baroque / Bohemia, Silesia, Upper Hungary, Lower Austria Prague - Olomouc - Wrocław around 1600 Jacobus Handl Gallus: distribution of his own work and questions of operational practice in the context of Central European polychorality around 1600 Nicolaus Zangius: contemporary roles of the musician vs. historical reflection What do we know about the instrumental repertoire in the Bohemian lands before the mid-17th century? Musical infrastructure in the 17th century: royal towns in Moravia vs. the countryside The musical culture of Brno between the Middle Ages and the Baroque (I, II) Liturgical unison and paraliturgical repertoire - songs in the liturgy and pastoral practice of individual churches (Fulnek, Kunvaldský, Závorka, Rozenplut) Silesia in the 16th and 17th centuries as a musicological topic Structure and functioning of the main musical and dramatic genres in the 18th century: opera /pasticcio/ oratorio / sepolcro / serenata Mass in the 18th century Methodological approaches to the analysis of arias in the first half of the 18th century
Literature
    recommended literature
  • MAŇAS, Vladimír. Nicolaus Zangius: hudebník přelomu 16. a 17. století. Na stopě neznámému (Nicolaus Zangius: The Musician at the turn of the 16th and 17th centuries. The Life of an unknown). 1. vyd. Brno: Masarykova univerzita, 2020, 204 pp. Spisy Filozofické fakulty Masarykovy univerzity; 504. ISBN 978-80-210-9716-2. info
  • PERUTKOVÁ, Jana. František Antonín Míča ve službách hraběte Questenberga a italská opera v Jaroměřicích (Franz Anton Mitscha in the service of Count Questenberg and Italian opera in Jaroměřice). Praha: Koniasch Latin Press, 2011, 620 pp. Clavis monumentorum musicorum regni bohemiae, IV. ISBN 978-80-86791-73-9. info
Teaching methods
Lectures, discussions, recommended concerts
Assessment methods
Two reviews (thematically relevant concerts or books) and an analytical analysis of a pre-agreed aria
Language of instruction
Czech
Further Comments
Study Materials
The course is taught only once.
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