FAVz015 Stanley Kubrick

Filozofická fakulta
jaro 2009
Rozsah
0/0/0. 5 kr. Doporučované ukončení: k. Jiná možná ukončení: zk.
Vyučující
MA Peter Kramer (přednášející)
Garance
doc. Mgr. Pavel Skopal, Ph.D.
Ústav filmu a audiovizuální kultury – Filozofická fakulta
Kontaktní osoba: doc. Mgr. Pavel Skopal, Ph.D.
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Předmět si smí zapsat nejvýše 100 stud.
Momentální stav registrace a zápisu: zapsáno: 0/100, pouze zareg.: 0/100, pouze zareg. s předností (mateřské obory): 0/100
Mateřské obory/plány
předmět má 14 mateřských oborů, zobrazit
Cíle předmětu
Upon successful completion of the course, students will be able to: - be familiar with the Kubrick´s movies and with the production system of the 1960s - critically evaluate the oeuvre of Stanley Kubrick - have an understanding of the context of the reception of Kubrick´s movies
Osnova
  • 1. From Look Magazine to Hollywood: The Formative Years 2. The Making of Dr. Strangelove 3. The Mystery of 2001 4. The Clockwork Orange Controversy 5. Kubrick's Wars 6. Seminar, Directorial Studies, Archival Resources and Questions of Authorship
Literatura
  • James Naremore, On Kubrick, London: BFI, 2007
Výukové metody
Lectures and seminars.
Metody hodnocení
Essay.
Vyučovací jazyk
Angličtina
Informace učitele
20-23 April 2009 the preliminary schedule: Monday, 10-13.15 10-10.30 Introduction to Lecture Series 10.45-13.15 Screening: Stanley Kubrick: A Life in Pictures (137min) Monday 15-20.45 15-16.30 Lecture 1: "From Look Magazine to Hollywood: The Formative Years" 17-18.45 Screening with Introduction: Fear and Desire (1953, 61min) or Paths of Glory (1957, 84min) 19-20.45 Screening with Introduction: Dr. Strangelove (1964, 90min) Tuesday, 10-13.15 10-10.45 Plenary Discussion about Fear and Desire/Paths of Glory and Dr. Strangelove 11-12.30 Lecture 2: "The Making of Dr. Strangelove" 12.45-13.15 Introduction to 2001: A Space Odyssey Tuesday, 18.20-20.45 18.20-20.45 Screening: 2001: A Space Odyssey (1968, 141min) Wednesday, 8.20-13.15 8.20-9 Plenary Discussion about 2001: A Space Odyssey 9.15-10.30 Lecture 3: "The Mystery of 2001" 10.45-13.15 Screening with Introduction: A Clockwork Orange (1971, 131min) Wednesday 16.40-20.45 16.40-18 Combination of Plenary Discussion about A Clockwork Orange and Lecture 4: "The Clockwork Orange Controversy" 18.15-20.45 Screening with Introduction: Full Metal Jacket (1987, 112min) or Eyes Wide Shut (1999, 153min) Thursday 10-12.30 10-11.30 Lecture 5: "Kubrick's Wars and the Battle of the Sexes" 11.45-12.30 Final Plenary Discussion about Kubrick's Films Thursday 14.00-16.00 2-4 Seminar: "Directorial Studies, Archival Resources and Questions of Authorship" Advance reading: Naremore, pp.1-43 Reading for Lecture 1: Naremore, pp.45-97 Reading for Lecture 2: Naremore, pp.97-137 Reading for Lecture 3: Naremore, pp.137-53 Reading for Lecture 4: Naremore, pp.153-70 Reading for Lecture 5: Naremore, pp.170-221 Reading for Seminar: Naremore, pp.222-67, esp. pp245-67 Peter Kramer s biography: My teaching and research deal with American film history from the beginnings to the present, and with the global dimensions of Hollywood cinema, especially its relationship with Germany. My work concentrates on thematic currents and formal developments in mainstream American cinema and on the changing social, political, cultural and industrial contexts in which films are made and seen. I have written extensively on silent cinema, stars and acting, Buster Keaton, the relationship between film and other media, Hollywood and the Germans, Audrey Hepburn, Disney and contemporary American cinema. I teach courses on Spielberg & Lucas, American film history, Stanley Kubrick and contemporary Hollywood. Born in Germany in 1961, I studied at Cologne University in Germany and at the University of East Anglia. Before I returned to UEA as a lecturer in Film Studies in 1998, I taught American Studies at Keele University and Media Studies at Staffordshire University. I am a regular guest lecturer in the Film Studies department at Masaryk University in Brno, Czech Republic. During the last eight years, I have been supervising PhD students from the UK, the Czech Republic and China. Their topics have ranged from contemporary Hollywood epics, recent American biopics about the 60s, slasher films, the film careers of Saturday Night Live comedians and the films of Michael Mann to the circulation of Chaplin’s early comedies on small gauge formats in the UK, the relationship between Hollywood and Czechoslovakia after World War II and the distribution and reception of Hollywood family films in contemporary China. I have also worked with visiting PhD students from the Czech Republic, Spain and China. Across the last twenty years, I have presented more than sixty conference papers in the UK, continental Europe, North America and Australia and published over fifty journal essays and book chapters in the UK, the US, Canada, Italy, the Netherlands, the Czech Republic and Germany. Together with Alan Lovell, I co-edited a collection of essays on film acting in the United States and Britain across the 20th century. It is entitled Screen Acting (Routledge, 1999). I have also co-edited, with Lee Grieveson, The Silent Cinema Reader (Routledge, 2004). Furthermore, jointly with Paul Willetts I co-authored a children’s book entitled American Film: An A-Z Guide (Franklin Watts, 2003). My most recent book is The New Hollywood: From Bonnie and Clyde to Star Wars (Wallflower, 2005). I am currently working on two books on the films of Stanley Kubrick, the first on 2001: A Space Odyssey, the second on A Clockwork Orange. My research projects for the next few years also include books on Hollywood’s biggest hits since the late 1970s and on women in contemporary Hollywood, as well as a study of the relationship between Hollywood and the Germans from the beginnings to the present and a case study tentatively entitled ‘The Good German? Oskar Schindler and the Movies’.
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Studijní materiály
Poznámka k ukončení předmětu: Full time students: 100% presence at the lectures is required. Distance students: two absences are tolerated.
Předmět je vyučován jednorázově.
Výuka probíhá blokově.
Předmět je zařazen také v obdobích jaro 2013, jaro 2018.