FF:CMAa06 Introduction to Film Theories - Informace o předmětu

CMAa06 Introduction to Film Theories

Rozsah

1/1/0. 5 kr. Ukončení: zk.

Vyučující

Mgr. Šárka Jelínek Gmiterková, Ph.D. (přednášející)
doc. Mgr. Pavel Skopal, Ph.D. (přednášející)

Garance

doc. Mgr. Pavel Skopal, Ph.D.
Ústav filmu a audiovizuální kultury – Filozofická fakulta
Dodavatelské pracoviště: Ústav filmu a audiovizuální kultury – Filozofická fakulta

Rozvrh

Po 12:00–13:40 C34, kromě Po 20. 4. až Pá 24. 4., kromě Po 27. 4.

Omezení zápisu do předmětu

Předmět je určen pouze studentům mateřských oborů.

Předmět si smí zapsat nejvýše 40 stud.
Momentální stav registrace a zápisu: zapsáno: 32/40, pouze zareg.: 1/40

Mateřské obory/plány

• Culture, Media and Performative Arts (program FF, B-MA)

Anotace

The course will analyse significant discourses on cinema as they formed during the decades and across various cultural and national areas. The students will be introduced to wide spectrum of contemporary arguments and will learn to interpret period texts in a wider cultural, social and political context.

Výstupy z učení

After finishing this course, students will be able to formulate the main changes in the theoretical, critical and methodological reflection of cinema, as well as understand them in the relevant historical context. The knowledge provided by the lectures will give the students the capacity to understand how the history of discourses on cinema can be analysed. Besides, they will acquire the competence for understanding the contemporary research tendencies in a wider perspective and recognize continuities, as well as paradigmatic changes.

Klíčová témata

• Sociology of Arts, Art Worlds
• Economy of Prestige
• Production Culture
• Auteurism  
• Star Studies
• Semio-pragmatics; pragmatic approach to genre
• Cognitivism and Cinema
• Theory of Film Realism 
• Theory of Representation; Heritage cinema; Accented cinema

Studijní zdroje a literatura

povinná literatura
• Dziga Vertov: WE: Variant of a Manifesto; On the Significance of Newsreel; kinopravda; The Birth of Kino-Eye; From Kino-Eye t Radio-Eye. In: Annette Michelson (ed.), Kino-Eye. The Writings of Dziga Vertov. Berkeley – Los Angeles – London: University of C

doporučená literatura
• Francesco Casetti: Theories of Cinema, 1945-1995. Austin: University of Texas Press, 1999
• Malcolm Turvey: The Filming of Modern Life. European Avant-Garde Film of the 1920s. MIT Press, 2011
• Janet Staiger, Authorship Approaches. In: David A. Gerstener – Janet Staiger (eds.), Authorship and Film: Trafficking with Hollywood. Routledge, 2003
• Melodrama and modernity : early sensational cinema and its contexts. Edited by Ben Singer. New York: Columbia University Press, 2001, xiv, 363. ISBN 0231113293. info
• ABEL, Richard. French cinema : the first wave, 1915-1929. 1st Princeton pbk. print. Princeton, N.J.: Princeton University Press, 1987, xxi, 672. ISBN 0691008132. info

Přístupy, postupy a metody používané ve výuce

The lectures include discussion over obligatory reading, as well as a collective analysis of textual fragments and film clips.

Způsob ověření výstupů z učení a požadavky na ukončení

• CMPA students:
• To pass the exam, the student has to reach a score of 60% in each of these three categories:
• I/ ROPOT tests checking the knowledge of seminar reading and understanding of the lecture – 40 points
• II/ an outline of a research project – 30 points
• •Project proposals will be discussed in detail at the last two seminars
• •III/ final written test – 30 points
• • (i.e., the minimum of 24, 18, and 18 points in the respective tests)
• Erasmus students:
• I/ ROPOT tests checking the knowledge of seminar reading and understanding of the lecture – 40 points
• II/ final written test – 60 points
• 60% = 60 points as the minimum for passing the exam

Vyučovací jazyk

Angličtina

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