Code |
Name |
Guarantor |
Type of Completion |
Extent and Intensity |
Credits |
Profile Cat. |
Requirement |
FF:ARTS003 | On current issues of contemporary culture, especially music and theater |
M. Štědroň | k |
0/0/0 | 5 |
- |
PV |
FF:HV_01a | Introduction to Musicology |
P. Macek | zk |
1/0/0 | 3 |
- |
PV |
FF:HV_01b | Historiography of Music |
M. Bek | zk |
1/1/0 | 5 |
- |
PV |
FF:HV_04 | Elements of Music Theory |
J. Perutková | k |
0/2/0 | 2 |
- |
PV |
FF:HV_05a | Harmony I. |
J. Perutková | k |
1/1/0 | 2 |
- |
PV |
FF:HV_06 | Counterpoint |
M. Štědroň | k |
1/1/0 | 3 |
- |
PV |
FF:HV_07 | Acoustics of Music |
P. Kalina | k |
1/1/0 | 3 |
- |
PV |
FF:HV_08 | Intonation |
J. Perutková | k |
0/1/0 | 1 |
- |
PV |
FF:HV_09 | Audial Analysis |
J. Perutková | k |
0/1/0 | 1 |
- |
PV |
FF:HV_103 | Musicological Methodology |
M. Bek | zk |
1/1/0 | 6 |
- |
PV |
FF:HV_105b | Musicological Excursion |
P. Macek | z |
0/0/0 20 hodin s odborným výkladem či dohledem v rámci zvoleného typu exkurze. | 2 |
- |
PV |
FF:HV_15a | Collegium mixed choir |
M. Flašar | k |
0/2/0 | 4 |
- |
PV |
FF:HV_15b | Collegium male choir |
M. Flašar | k |
0/2/0 | 4 |
- |
PV |
FF:HV_15c | Collegium orchestra |
M. Flašar | k |
0/2/0 | 4 |
- |
PV |
FF:HV_15d | Collegium chamber choir |
V. Maňas | k |
0/2/0 | 4 |
- |
PV |
FF:HV_15e | Collegium piano |
M. Flašar | k |
0/2/0 | 4 |
- |
PV |
FF:HV_22 | Musical Forms |
M. Flašar | zk |
1/1/0 | 4 |
- |
PV |
FF:HV_307 | Česká hudební kultura 1945 - 1972 |
V. Pantůček | k |
1/1/0 | 3 |
- |
PV |
FF:HV_49 | Russian opera |
M. Štědroň | k |
2/0/0 | 3 |
- |
PV |
FF:HV_54 | History of Music Theory |
L. Spurný | zk |
1/1/0 | 5 |
- |
PV |
FF:HV_553 | Reading of Texts on Aesthetics and Theory of Music |
L. Spurný | z |
0/2/0 | 5 |
- |
PV |
FF:HV_57 | Czech Musical Terminology 1300-1900 |
M. Štědroň | k |
2/0/0 | 5 |
- |
PV |
FF:HV_62 | Opera: a synthetical genre |
M. Štědroň | k |
2/0/0 | 3 |
- |
PV |
FF:HV_700a | Seminar of Music Lexicography |
P. Macek | z |
0/2/0 | 3 |
- |
PV |
FF:HV_700b | Seminar of Music Lexicography II |
P. Macek | z |
0/2/0 | 3 |
- |
PV |
FF:HV_702a | Theory and History of Rock Music I |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_702b | Theory and History of Rock Music II |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_704a | Vocal Practice. From Hymn to Renaissance I |
V. Maňas | z |
0/2/0 | 3 |
- |
PV |
FF:HV_704b | Vocal Practice. From Hymn to Renaissance II |
V. Maňas | z |
0/2/0 | 3 |
- |
PV |
FF:HV_705 | Vítězslav Novák and his School |
L. Spurný | k |
2/0/0 | 3 |
- |
PV |
FF:HV_707 | From Opera to Musical |
M. Štědroň | k |
2/0/0 | 3 |
- |
PV |
FF:HV_714a | Alois Hába and his school |
L. Spurný | zk |
2/0/0 | 5 |
- |
PV |
FF:HV_719a | World Music I. |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_719b | World Music II. |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_728 | The operas of L. Janáček |
J. Zahrádka | k |
2/0/0 | 5 |
- |
PV |
FF:HV_732 | Dramaturgy of opera |
J. Zahrádka | k |
1/1/0 | 3 |
- |
PV |
FF:HV_741a | Theory and history of popular music I. |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_741b | Theory and history of popular music II. |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:HV_749 | Music and Liturgy |
V. Maňas | k |
2/0/0 | 3 |
- |
PV |
FF:HV_785 | Ferruccio Busoni |
L. Spurný | k |
2/0/0 | 5 |
- |
PV |
FF:HV_806a | Music History in Outline VI A |
M. Flašar | k |
1/1/0 | 3 |
- |
PV |
FF:HV_806b | Music History in Outline VI - seminar |
M. Flašar | k |
0/2/0 | - |
- |
PV |
FF:HV_807 | Music History of Czech Lands I |
J. Perutková | zk |
1/1/0 | 4 |
- |
PV |
FF:HV_807a | Czech Music History in Outline I - essay |
V. Maňas | k |
0/2/0 | 1 |
- |
PV |
FF:HV_808 | Music History of Czech Lands II |
J. Zahrádka | zk |
1/1/0 | 3+1 |
- |
PV |
FF:HV_808a | Czech Music History in Outline II - essay |
M. Flašar | k |
0/2/0 | 1 |
- |
PV |
FF:HV_811 | Centre and Periphery: changes of the musical life during 15th-17th centuries |
V. Maňas | k |
1/1/0 | 5 |
- |
PV |
FF:HV_812 | Vocal-instrumental forms of the baroque period |
J. Perutková | k |
1/1/0 | 5 |
- |
PV |
FF:HV_98a | Seminar "Life and Work of Leoš Janáček" I |
J. Zahrádka | z |
0/2/0 | 3 |
- |
PV |
FF:MVKU_04 | Select Lecture of the history |
F. Svoboda | k |
2/0/0 | 4 |
- |
PV |
FF:MVKU_05 | Select Lecture of the systematics |
F. Svoboda | k |
2/0/0 | 4 |
- |
PV |
FF:MVK_06 | Cultural politic |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:MVK_13 | Copyright Law for Arts Management |
V. Pantůček | z |
0/1/0 | 3 |
- |
PV |
FF:MVK_14 | Marketing comunication I. |
V. Pantůček | z |
0/2/0 | 3 |
- |
PV |
FF:MVK_15 | Marketing comunication II. |
V. Pantůček | k |
0/2/0 | 4 |
- |
PV |
FF:MVK_21 | Infrastruktura umění I. |
V. Pantůček | k |
1/1 | 4 |
- |
PV |
FF:MVK_22 | Art infrastructure - Evaluation of artistic processes and their impacts in terms of management. |
V. Pantůček | k |
1/1/0 | 4 |
- |
PV |
FF:MVK_23 | Sociological Research in Art and Culture |
M. Bek | k |
1/1/0 | 4 |
- |
PV |
FF:MVK_25 | Chapters from the history of cultural economics and cultural institutions |
F. Svoboda | k |
1/1/0 | 3 |
- |
PV |
FF:SUS_122 | The Culture History of Bohemia in in the years 1890-1938 |
M. Jeřábek | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_127 | The Central-European Coffee-bar |
D. Koudelková | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_129 | Gentleman 1880-1938 |
D. Koudelková | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_132b | Cultural History for Art Studies II. |
M. Štědroň | zk |
2/0/0 | 4 |
- |
PV |
FF:SUS_133 | The aristocratics representation |
T. Jeřábek | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_136 | Ut pictura et poesis |
T. Jeřábek | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_140 | Brno 1919-1938 |
D. Koudelková | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_151a | Personalities of Czech and international Design I. |
D. Koudelková | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_151b | Personalities of Czech and international Design II. |
D. Koudelková | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_178 | Landscape architecture |
D. Koudelková | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_183 | False implementation of Art? Poster and advertisiment 1850-1938 |
H. Maňasová Hradská | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_184 | Advertising as the cultural task. Advertising 1945-2011 |
H. Maňasová Hradská | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_191 | History of Applied Art I |
D. Koudelková | zk |
2/0/0 | 4 |
- |
PV |
FF:SUS_192 | History of Applied Art and Design |
D. Koudelková | zk |
2/0/0 | 4 |
- |
PV |
FF:SUS_40 | Film Projection I. |
J. Špaček | zk |
0/3/0 | 4 |
- |
PV |
FF:SUS_41 | Film Projection II. |
J. Špaček | zk |
0/3/0 | 4 |
- |
PV |
FF:SUS_57 | History of Jazz Music |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_58 | Art Nouveau Culture |
A. Filip | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_61 | History of Czech Jazz Music |
P. Macek | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_66 | Romanticism and its Descentants |
J. Střítecký | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_68 | What is and what is not postmodernism |
J. Střítecký | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_81 | Central-European Centres of Art during 19th and 20th century |
A. Filip | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_82 | Arthistory of Brno I. |
A. Filip | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_92 | The Pre-Raphaelites |
A. Filip | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_94 | Arthistory of Brno II. |
A. Filip | k |
2/0/0 | 4 |
- |
PV |
FF:SUS_98 | Contemporary art in changes I. |
R. Horáček | k |
2/0/0 | 3 |
- |
PV |
FF:SUS_99 | Contemporary art in changes II. |
R. Horáček | k |
2/0/0 | 3 |
- |
PV |
FF:TIM_BM_005 | Documents of Presence and Experience I. Process and Experience |
J. Helia DeFelice | z |
1/1/0 | 5 |
- |
PV |
FF:TIM_BM_011 | Art & Cybernetics |
J. Horáková | z |
2/0/0 | 5 |
- |
PV |
FF:TIM_BM_013 | Sound Poetry |
J. Horáková | z |
2/0/0 | 5 |
- |
PV |
FF:TIM_B_005 | Cyberculture |
J. Macek | zk |
1/1/0 | 5 |
- |
PV |
FF:TIM_B_006 | Visual Culture |
J. Cseres | zk |
1/1/0 | 5 |
- |
PV |
FF:TIM_B_009 | The New Media Art Canon. The Best of New Media Art I |
J. Horáková | zk |
0/2/0 | 5 |
- |
PV |
FF:TIM_B_010 | The New Media Art Canon. The Best of New Media Art II |
J. Horáková | zk |
0/2/0 | 5 |
- |
PV |
FF:TIM_B_011 | New Media Art I |
J. Horáková | zk |
1/1/0 | 5 |
- |
PV |
FF:TIM_B_012 | New Media Art II |
J. Horáková | zk |
1/1/0 | 5 |
- |
PV |
FF:TIM_B_019 | Introduction to Visual Composition in Time I |
F. Cenek | z |
1/1/0 přednáška+individuální výuka. | 3 |
- |
PV |
FF:TIM_B_020 | Visual Composition in Time II |
F. Cenek | zk |
1/1/0 přednáška+individuální výuka. | 4 |
- |
PV |
FF:TIM_B_021 | Filmology. Language of Film and New Media I |
M. Kupková | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_022 | Filmology. Language of Film and New Media II |
M. Kupková | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_023 | Videology. The Art of Moving Images I |
P. Míčová | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_B_024 | Videology. Art of Moving Images II |
P. Míčová | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_031 | Artificial Life Art |
M. Ivičič | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_033 | Artgorithms: Algorithmic Art – theory |
T. Staudek | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_035 | Marginal forms of music: Czech and Slovak scene |
V. Pantůček | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_B_036 | Liberation of Sound from Bounds of Music |
V. Pantůček | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_B_037 | Audiocultures Methodologies: theory and practice |
F. Johánek | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_B_038 | Duchamp and Cage Legacy |
J. Cseres | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_B_039 | Media and their practice |
M. Flašar | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_B_041 | Public Relations - Theory for Practice |
P. Míčová | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_001 | From Electronic Music to Live Coding Performance I |
M. Flašar | zk |
1/1/0 | 6 |
- |
PV |
FF:TIM_M_002 | From Electronic Music to Live Coding Performance II |
M. Flašar | zk |
1/1/0 | 6 |
- |
PV |
FF:TIM_M_003 | New Media Art Obsessions I |
J. Horáková | zk |
1/1/0 | 6 |
- |
PV |
FF:TIM_M_004 | New Media Art Obsessions II |
J. Horáková | zk |
1/1/0 | 6 |
- |
PV |
FF:TIM_M_005 | Social Theories of New Media |
J. Macek | zk |
1/1/0 | 6 |
- |
PV |
FF:TIM_M_010 | Opinion Journalism |
J. Horáková | z |
1/1/0 | 4 |
- |
PV |
FF:TIM_M_011 | Software prototyping of AV work II |
T. Hrůza | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_012 | Software prototyping of AV work II |
T. Hrůza | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_M_013 | Record - Score - Instruction |
V. Pantůček | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_014 | Computer music |
P. Haas | z |
0/2/0 | 3 |
- |
PV |
FF:TIM_M_015 | Computer music_practice |
P. Haas | z |
0/2/0 | 3 |
- |
PV |
FF:TIM_M_016 | Software Art |
J. Horáková | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_M_017 | Curatorship: the story of the profession |
M. Kupková | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_018 | Curatorship: social context and practical aspects |
M. Kupková | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_019 | New Media in Gallery |
J. Horáková | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_021 | Modern Interpretational Approaches to Work of Art I |
J. Cseres | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_M_022 | Modern Interpretational Approaches to Work of Art I |
J. Cseres | zk |
1/1/0 | 4 |
- |
PV |
FF:TIM_M_023 | Analysis of performativity |
T. Ruller | z |
1/1/0 | 3 |
- |
PV |
FF:TIM_M_024 | Theory of performativity |
T. Ruller | z |
1/1/0 | 3 |
- |
PV |
FF:mvk_28 | Cultural Landscape |
F. Svoboda | k |
1/1/0 | 3 |
- |
PV |
|
|
|
|
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469 credits |
|
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